A Quote by Shawn Crahan

Everybody wants to escape, but our escape is the real deal. If we're scary, that's because we're taking you away from you being fed what you want to hear. — © Shawn Crahan
Everybody wants to escape, but our escape is the real deal. If we're scary, that's because we're taking you away from you being fed what you want to hear.
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
We have compassion because of the incredible pain and suffering which we as unenlightened beings cause to ourselves and all others through our ignorance. This is why we're trying to get out. This is why the bodhisattva has meaning. Because we're saying, no we won't get out, we won't escape until we've helped all other beings to escape, but most other beings don't even want to escape. They don't even know that there is an escape, and it's hard, so it's going to take an awfully long time.
The past is our definition. We may strive with good reason to escape it, or to escape what is bad in it. But we will escape it only by adding something better to it.
It's because we're so trapped in our culture, in the being of being human on this planet with the brains we have, and the same two arms and legs everybody has. We're so trapped that any way we could imagine to escape would be just another part of the trap. Anything we want, we're trained to want.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
If you want a thing--truly want it, want it so badly that you need it as you need air to breathe, then unless you die, you will have it. Why not? It has you. There is no escape. What a cruel and terrible thing escape would be if escape were possible
Writing let me escape... It let me escape the insistent tug of my family, and its ongoing misery. Sitting in front of the computer, with the screen blank and the cursor blinking, was the best escape I knew. And there was plenty to escape from.
Not everybody here is rich. Not everybody here is independently wealthy. Not everybody here is free from any kind of economic concern. We run the gamut here, too. It's the opportunity to escape that that exists here, for very specific reasons. But it's not because the US is where it is. It's not because our DNA is different than anybody else's. It's because of the way we have structured our affairs, our government.
Escapology has one thing going for it that probably made Harry Houdini such a superstar in his day and a legend in the present. Everyone wants to escape from something. Taxes, contracts, illness, work, the multitude of burdens that we chafe under are shadows from which we want to escape.
The urge to escape our real self is also an urge to escape the rational and the obvious.
One moment I'm perfectly fine and the next I feel a wave of nausea, then panic. Then I can't catch my breath and I know I'm about to lose control and all I want to do is escape. Except that the one thing I can't escape from is the very thing I want to run away from... me.
There's no real objection to escapism, in the right places... We all want to escape occasionally. But science fiction is often very far from escapism, in fact you might say that science fiction is escape into reality... It's a fiction which does concern itself with real issues: the origin of man; our future. In fact I can't think of any form of literature which is more concerned with real issues, reality.
I looked at basketball as something that I love and escape from the real world, and in order to continue to escape the real world, you got to work hard at it.
When times are tough, people want to escape to somewhere fantastic without having to pay actual escape-to-somewhere-fantastic cash. And offering a couple of hours away from the ordinary is what the movies do best.
Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.
I want to make it clear: it's not that I hate mainstream cinema. It's perfectly fine. There are a lot of people who need to escape, because they are in very difficult situations, so they have the right to escape from the world. But this has nothing to do with an art form.
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