A Quote by Shawn Fanning

I think in terms of the work we're doing now a lot of the UI cleanup... I see it getting much prettier. — © Shawn Fanning
I think in terms of the work we're doing now a lot of the UI cleanup... I see it getting much prettier.
I think in terms of the work were doing now a lot of the UI cleanup... I see it getting much prettier.
I think what President [Barack] Obama has done is to chart a steady course. When I was there, the first four years we had a lot of cleanup to do. We inherited a lot of bad feelings from the [George W.] Bush administration, and much of what I spent my time doing was traveling around the world reassuring friends and allies.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.
It's really cool to see how many awesome, badass ladies are out there now just doing their thing and putting their foot down, saying, "Nope. You're not going to tell me I'm doing something women shouldn't be doing." It's a scary time but also I think a really important time. I'm happy to see how much girls are responding to a lot of the other powerful big boys swimming out there right now.
There's a lot of dancing in football. You can see Victor Cruz doing a little bit of a cha-cha or samba move in the end zone. You can see Terrell Owens getting his popcorn ready. You can see Ochocinco doing the riverdance. But not so much when it comes to ballroom.
If you have the abilities to earn a lot of money and if you have the character to persist in giving that to the most effective charities you can find, then that may be the best thing that you can do. And - also, if you do become a Wall Street banker, I think you need to be aware of what you're doing in terms of your daily work, not just earning money to give a lot away. But you need to think about - am I harming people through the work that I'm doing?
It is now, after doing TV shows and so much work, that people have accepted me as a great choreographer. So I had to struggle too much, and I am happy with my journey today, though there is a lot more left now.
I think the music of the Fifties is really good. I suspect it's much better musically than much of what's available now. Not in terms of production, but in terms of content.
Douglas: You really got to stop doing that. Isabel: Doing what? Douglas: Getting prettier everyday.
It was about the preciousness of that, and how they viewed those birds as art, as something valuable. I didn't care one way or another back then, but now, thinking about my grandparents - who are still alive but getting older - I see the birds as sort of time capsules. Now I go home during the holidays and they hold a lot of weight in terms of nostalgia and memory. Now they mean everything.
I think that we're our own worst enemies in a lot of ways, especially when it comes to doing work where you're criticized a lot or doing work where there's a lot of hater directed at you; and to not constantly second-guess yourself.
You ask me about my ex-wife? That is not polite. But I will answer. I got another wife now. Much younger, much nicer, much prettier. And so much more intelligent than Benetton.'
You can't control whether or not you have talent. You can't control whether or not your work will be recognized or valued. But what you can control is how much work you put your art-both in terms of creating it and in terms of getting it out there-and that is where I try to focus my energy.
I spend as much time as I possibly can doing things for other people, if I can. If I see a need and I feel that I can help, I do it. I work a great deal in terms of charities and things.
It seems like the world is so fast to move its interest to someone else. When I think about filmmakers and actresses that I have admired my whole life, I've admired their entire body of work. I have admired what they began with and what they're doing now. And now I feel like there's such a weird pressure to find the new face. I don't get it at all. I want to see women evolve. I want to see a body of work. I want to see all of it.
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