A Quote by Shawn Kemp
I was known for a lot of dunks, but my first big dunk really came here in New York. I had some others back then, but my first major dunk came against the Knicks and Kenny 'Sky' Walker. So, you know, New York has a lot of meaning to me.
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In New York, the dunk is not the thing. To break somebody down and shoot a J-that's as big as a dunk in New York.
You gotta try something people ain't seen before, and you gotta go to the gym and work on your dunks. In a slam dunk competition, don't show up with three dunks. You got to have eight or nine dunks because if you get into the finals and two guys may do the same dunk or one guy does the dunk better than the other.
When I first came to New York I did nails, and I really didn't get a lot of money.
I love New York. I went to New York to become an actress, and I did it. And I won all the awards known to man. And I'm happy. And I came home. I came, I saw, I conquered. And it feels great.
My grandmother came with me when I moved out to New York. She stayed with me for a week. I was, you know, living in the dorm. The first year, I had a lot of anxiety, and, I remember, my teachers kept saying I had so much jaw tension.
New York has changed a whole lot. For worse I think because back when I was growing up in New York we were always the trendsetters. I don't care if it was from clothes to hip-hop music, to whatever. Right now New York is a bunch of followers. A lot of them are. It's really not the same.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
I spent a whole year in New York without going back to France. And I always came back because my mother was living in New York since I was 13. So I went to summer camps, hang out at the Roxy, go to class for ballet, so I always had part of my life in New York.
The first time I came to New York - and the first time I saw the movie 'Paris Is Burning' - I learned about the homeless LGBT culture in New York City that goes back to the '80s. I found that very interesting, and it's definitely something that I care about.
I came to New York for school, and then I did this amazing show that was received very well, with a great group of people, and I felt like I was creating something that I was really proud of, and then 'Hamilton' was my next big thing in New York.
Sometimes the Knicks just need to be the Knicks. And not the New York Knicks. What I mean by that is that they're New York's team and everybody is going to be focused on that. But they should learn to pace themselves, set goals and be patient with what they're doing.
Yeah, I was only in New York from the age of six months until five years old. But my very first memories are all of New York. I remember my first rainbow on a beach in New York. I remember jumping on a bed in New York.
I decided to be a filmmaker between my sophomore and junior years at Morehouse. Before I left for the summer of 1977, my advisor told me I really had to declare a major when I came back, because I'd used all my electives in my first two years. I went back to New York and I couldn't find a job. There were none to be had. And that previous Christmas someone gave me a Super-8 camera, so I just started to shoot stuff.
I'd excluded New York from my writing, and then I came back and I fell in love with it all over again... The energy comes from an absence, that yearning for New York when you are not there.
I'd excluded New York from my writing, and then I came back and I fell in love with it all over again. The energy comes from an absence, that yearning for New York when you are not there.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
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