A Quote by Shawn Mendes
I have a thing where if I'm not in control, I feel the whole world is about to collapse.
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Granny Weatherwax was often angry. She considered it one of her strong points. Genuine anger was one of the world's greatest creative forces. But you had to learn how to control it. That didn't mean you let it trickle away. it meant you dammed it, carefully, let it develop a working head, let it drown whole valleys of the mind and then, just when the whole structure was about to collapse, opened a tiny pipeline at the base and let the iron-hard stream of wrath power the turbines of revenge.
A United States collapse would be much different than a Greece collapse. Greece can collapse, and there's a ripple. We collapse, and the world feels it.
Taking drugs on a recreation level is one thing. But taking them while you're working on a stage is, I don't think it was that great. It's the control factor. And the thing about being on stage, you really want to feel that you're sort of in control a lot. It's not a place where you want to be out of control.
The only thing I can control is myself. I can't control what anyone thinks about me, I can't control circumstance, I can't control the things that God controls.
If you don't feel that you are possibly on the edge of humiliating yourself, of losing control of the whole thing, then probably what you are doing isn't very vital.
The first thing I control is the cost by not shooting for many days. It is not control, but somebody has to drive the whole thing. If I shoot unnecessary things, it will raise cost.
I'd like to not have to worry about image, about doing the right thing all the time. Not that I want to be a criminal or anything. I'd like to be able to do something wrong and not feel the whole world will know.
I think all the songs [at Moth] are about different things, but if we were to speak about it as a whole, it's really about, it's about joy, and about sensuality and vulnerability and also fun, energy, living in New York in 2015, being out of control, wanting to be in control, failing! It's a sort of story of our lives.
One thing we would talk about with my therapist is, "Well, you could feel bad about this, but you don't have to. You could be angry about this situation that you can't control or not." It really helped me with a lot of situations and helped me feel more at peace.
The end goal is to get everybody chipped, to control the whole society, to have the bankers and the elite people control the world.
With someone like Barack Obama, I think the whole America, the whole world will coalesce. Every election is about change, and change takes a long time because there are big issues that can't be changed overnight. But the one thing that will change dramatically is how we're viewed around the world. Once Obama is in there, the world will view Americans in an entirely different light. And that, to me, is a good thing.
In control. Out of control. Sometimes they're the same thing. The trick is knowing that, realizing it's okay to feel out of control once in a while, as long as you're sure you can regain the upper hand when you absolutely need to.
I'm the first to admit this whole salary thing is getting out of control. In the final analysis, it's still about the work.
For most of my life I have known how to control my feelings. If you can control your feelings, you can pretty much control your whole world. It's amazingly effective.
I think the best president - because he changed the whole mood of the country, the whole economy of the country, and stood up to Communism... that was continuing its causes around the world, and backed them off and caused them to collapse - and that was Ronald Reagan.
I have spent my life falling. Not the kind that Tiny's talking about. He's talking about love. I'm talking about life. In my kind of falling, there's no landing. There's only hitting the ground. Hard. Dead, or wanting to be dead. So the whole time you're falling, it's the worst feeling in the world. Because you feel you have no control over it. Because you know how it ends.
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