A Quote by Shawn Mendes

I picture myself now, and I picture myself in 30 years, and I'll probably be the same. I'll still think I'm not the greatest singer I can be. — © Shawn Mendes
I picture myself now, and I picture myself in 30 years, and I'll probably be the same. I'll still think I'm not the greatest singer I can be.
I don't see myself as a movie maker only. When I can do a picture, I do. But I don't work like a business, in pictures. I am not obliged to make one picture after the other in order to live. I write books, I write for comic books, I give lectures... I live. And when the opportunity comes to do a picture, I do a picture.
Exotic novelty. My statement to [people] is always, well, set this picture in your home town, is it still an interesting picture? Or is it just exotic? Would I care about this same picture minus its exoticism?
I think of myself as still being about five. Maybe that's why my Twitter picture is of me at five. That's how I feel. I'm honored if I can inspire somebody else. I'm just still trying to figure it all out about myself.
I think the picture in Jet magazine showing Emmett Till's mutilation was probably the greatest media product in the last forty or fifty years because that picture stimulated a lot of interest and anger on the part of blacks all over the country.
I actually carry a little picture of a wolf in my wallet, rather like people carry a picture of their kids. The reason I do that is to remind myself why I'm doing this, to remind myself of the story.
I never know if my picture is a good picture or a bad picture, because I'm not making pictures thinking of the public, I'm making pictures to realize myself.
I don't really think of myself or picture myself as a Hollywood person.
I remember when I was in school, they would ask, 'What are you going to be when you grow up?' and then you'd have to draw a picture of it. I drew a picture of myself as a bride.
'Santa Sangre' is the picture I love the best, myself, because 'El Topo' and 'The Holy Mountain' I made with my head, and 'Santa Sangre' I made with my feelings, with my heart. It's an emotional picture. And it's more real for me, that picture.
Santa Sangre is the picture I love the best, myself, because El Topo and The Holy Mountain I made with my head, and Santa Sangre I made with my feelings, with my heart. It's an emotional picture. And it's more real for me, that picture.
If you listen to Hillary 30 years ago and Hillary today, she's still complaining about the same things. She's still promising to fix the same things. She's still suggesting we need to address the same things. It tells me that in 30 years, she has not solved anything. In 30 years, she hasn't fixed anything. In 30 years, she hasn't made anything better.
I don't see myself as a moviemaker only, you know? When I can do a picture, I do. But I don't work like a business, in pictures. I am not obliged to make one picture after the other in order to live.
I don't like the idea of a singer-songwriter record. I don't picture myself that way, and it's not my favorite sort of look, I guess. It's really just an aesthetic thing.
These days I think the composers of music influence me more than any photographers or visual creators. I see something exciting or lovely and think to myself: 'If Papa Haydn or Wolfgang Amadeus or the red-headed Vivaldi were here with a camera, they'd snap a picture of what's in front of me.' So I take the picture for them.
I got a call for 'Aaya Na Tu' the same day that Forbes featured me in their list of 30 under 30. That day, I knew I had established myself as more than just a singer.
Each picture with its particular environment and unique personal relationships is a world unto itself - separate and distinct. Picture makers lead dozens of lives - a life for each picture. And, by the same token, they perish a little when each picture is finished and that world comes to an end. In this respect it is a melancholy occupation.
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