A Quote by Shawn Michaels

The Four Horsemen were limousines and Lear Jets, while DX was trailer parks and outhouses. One was white trash, one was upper crust. I always saw DX and the NWO as the natural rivals at the time.
There would be no DX if it wasn't for the nWo, in my opinion.
I've done things in my career, you know, accomplishments, and being in DX, NWO, the Kliq, all of that.
I kind of thought eventually, someday, somehow, I would be Hall of Fame, whether it was nWo, DX, or whatever, and honestly, I thought it would probably happen when I was no longer around.
I don't want to discount the nWo stuff because that was huge, and I'm so grateful to be a part of it. And I'm grateful that Eric Bischoff gave me that opportunity. And I had a ton of fun there. But it was nothing compared to the fun and creative satisfaction and just to be part of something amazing that I got from that whole DX experience.
A precisian professor had the habit of saying: "... quartic polynomial ax^4+bx^3+cx^2+dx+e , where e need not be the base of the natural logarithms."
The Four Horsemen whose Ride presages the end of the world are known to be Death, War, Famine, and Pestilence. But even less significant events have their own Horsemen. For example, the Four Horsemen of the Common Cold are Sniffles, Chesty, Nostril, and Lack of Tissues; the Four Horsemen whose appearance foreshadows any public holiday are Storm, Gales, Sleet, and Contra-flow.
My name is Frances Louise McDormand, formerly known as Cynthia Ann Smith. I was born in Gibson City, Ill., in 1957. I identify as gender-normative, heterosexual, and white-trash American. My parents were not white trash. My birth mother was white trash.
Someone said DX over here? It was this dipshit with the cowboy hat over here.
Once I got my groove in WCW in '97, I'm pretty proud of the things I did there. By the time I got to WWE for DX, I may not have been as quick, but I was so far more well-rounded and a much more of a ring general.
When I was younger, I played a lot of upper-class English girls. Then I came to America, and everyone was like, 'She's very believable as trailer trash.'
I look back upon those days in the Crockett/Turner era of The Four Horsemen and often wonder how I made it out alive. Perhaps my contract had some fine print on it that said, 'Associating with The Four Horsemen can be hazardous to one's health.'
The nWo pursued me for a while. To be perfectly honest, I think WCW management purposely kept me off 'Nitro' for a while to keep the nWo from getting to me.
These families, you know, are our upper crust, not upper ten thousand.
I worked with these liberal elites for 28 years at CBS News, and they were always throwing around the term 'white trash,' by which they meant poor southerners who didn't go to Harvard. I'm not sure why that makes them trash.
If you were a successful upper-middle-class Negro girl in the 1950s and '60s, you were, in practice and imagination, a white Protestant upper middle-class girl. Young, good-looking white women were the most desirable creatures in the world. It was hard not to want to imitate them; it was highly toxic, too, as we would learn.
I hunt and fish, and I don't fly on Lear jets, and I don't smoke Cuban cigars.
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