A Quote by Shawn Michaels
Years ago, I was always serious, and now I chuckle and make jokes to create a calm environment because 'WrestleMania' can be a high-pressure atmosphere.
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The thing I do remember the most of Wrestlemania, which was a high point for me, was Wrestlemania 1. The fact we made it over the fence. Then Wrestlemania 3. Bobby Heenan and myself coming back for Wrestlemania 17 and the gimmick battle royal. So many highlights, couldn't possibly cover them all.
I've been rapping and writing since junior high school, just having fun with it as a hobby. Then I got signed to a label Poe Boy Entertainment four years ago, I started taking it serious about a year and a half, two years ago.
I've always been able to stay calm in high-pressure situations.
The reason 'Hamilton' works is because there is no distance between that story that happened 200-some-odd years ago and now, because it looks like America now. It helps create a connection that wouldn't have been there if it was 20 white guys on stage.
One thing I've learned from years of working in WWE is that the road to WrestleMania always starts at the Royal Rumble. That's why it's so important to win the Rumble: because it's your chance to secure a championship match at WWE's biggest event of the year - WrestleMania.
The only pressure is the pressure I put on myself, that's up to be I guess to mitigate that. I think there's always pressure that you make the right choice for the next film. You don't know what the outcome is gonna be, there's always potential to find length to your career as well. Now I'm so far from any other job skills that if I don't make movies.
Fifteen years ago, if you said business will help save the environment people would have laughed at you. Today, I believe that is a serious proposition.
A couple years ago it was really hard for me to sing, because there's so much pressure in hip-hop to be a certain way. My biggest thing right now is doing me, because I'm not like other rappers.
I personally don't feel any pressure to make jokes about multiple baby-fathers and stereotypical black jokes, because one, that's just not my life, and two, I wouldn't even sound right talking about those things.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
In 1995, I founded The Molecular Sciences Institute with a gift from the Philip Morris Company where I hoped that we could create an environment where young people could pursue science in an atmosphere of harmonious purpose and high intellectual challenge.
I've said things that, now, I wish I hadn't said because times have changed and like the me of 15-20 years ago made a joke that I wouldn't make today because I - just because I look at the world differently now, you know. And because the world is different now. And, you know, it's all part of a maturation process, I think, for everybody.
I was worried on a personal level because I wanted to be slightly taller than I am, ideally. But I've now accepted it. Basically, I came to the conclusion a while ago that you can either be really bitter about it or you can make loads of funny jokes.
These days, I feel like a chunky spy in a thinner world. Strangers tell fat jokes in front of me. Jokes not meant for me. But... completely for the woman I used to be 150 pounds ago. The woman I could be again one day. The woman I will always be inside. Because being thinner doesn't make you a different person. It just makes you thinner.
It takes more discipline than you might imagine to think, even for thirty seconds, in the noisy, confusing, high-pressure atmosphere of a film set. But a few seconds' thought can often prevent a serious mistake being made about something that looks good at first glance.
What you want is a comfortable environment that you feel you can invent in. Because film is such a lumbering, technical, huge, great Neanderthal thing, it's hard to create that little space of peace, and calm, and creativity, and ease. That's what you want the director to create for you, so that when you walk on the set, you forget all of that, and the fact that it's costing gazillions of dollars a second.
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