A Quote by Shawn Spears

If you piled in a car and you go to an AEW show with all your buddies there, you had a beer or two, and you get to yell at whoever you want, you get to cheer for whoever you want, you get to chant, like those moments are friend making moments.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
Everyone has days where they don't get their way, where you have to go to bed early or you have too much homework to do or you can't eat the candy that you want or you miss your favorite TV show and, in those moments, you just want to tear the whole world down.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
I want to get paid for doing my job and whoever don't like it or whoever don't give me my just due then that's on them.
I'd like to think that I don't have a stock character that I go to. I'm lucky in that when you get to initiate your own scene, you get to play whoever you want. That's really kind of cool, but all my characters are short. I look on the videotape, and I thought they were taller, but they're all 5'2".
You from within our glasses, you lusty golden brew, whoever imbibes takes fire from you. The young and the old sing your praises. Here's to beer, here's to cheer, here's to beer.
You don't want to get complacent and just accept things - just because we've had those moments and we have come so far, you don't want to ever take that for granted, because the moment you do, it can all go away.
With San Cisco, young kids are more willing to yell at whoever is standing on stage. The difference between the yelling and the quietness is if the older crowd are quiet, they're showing you respect. When you do get a cheer back from them, it's special because they are actually listening.
What I don't do is try to like become whoever I'm rapping with. The people who go get an LL album want to hear LL.
I think every coach has to adapt to what they have, because they're what you get. You can't just go out to the player tree and pick all the great ones. That doesn't happen. You get a Barry Sanders every now and then. You get a Billy Sims every once in a while. And when you have it, you adapt to their strengths. Whoever comes in here and whoever has this job needs to adapt and will do that.
I often give this metaphor where I say that writing short fiction is like surfing, while writing a novel is like navigating with your car. So when you navigate with your car, you want to get somewhere. When you surf, you don't want to get somewhere, you just don't want to fall off your board.
That was just my own personal program: I didn't want to get too high over the good moments because I didn't want to be saddened and depressed when things didn't go as I had planned.
Whoever drinks beer, he is quick to sleep; whoever sleeps long, does not sin; whoever does not sin, enters Heaven! Thus, let us drink beer!
I got into gambling when I was playing a casino. I was a hermit in those days. I would go onstage, go to my room, or if we had to travel, I'd get in a car or a plane, whatever. But I didn't do anything. One day, this friend of mine said, 'Do you want to play some blackjack?'
Of course, legends can call out whoever they want and do as they please, but they can't just show up and get handed matches.
When people are like, 'Life is good,' I go, 'No, life is a series of disastrous moments, painful moments, unexpected moments, and things that will break your heart. And in between those moments, that's when you savor, savor, savor.'
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