A Quote by Shawn Spears
I work a little bit of slower, methodical pace. I'm able to implement certain different styles depending on who my opponent is.
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Preparation for Monaco is a little different: you definitely build up a little bit slower throughout the weekend and pace yourself. It's important to find the limit carefully.
The pace is different on a film set. It's slightly slower, allowing for a little more wiggle room. Sometimes there is a bit more room to explore and work on the floor. On a TV set, you really have to be ultra-prepared and ready to deliver because time is so tight. Not that you don't have to be prepared for film.
I think I have been able to slow down a little bit and really work on different things... I think I improved on being a leader on the court. Controlling the game, controlling the pace... that is where I have grown.
I've been able to have broad kind of education and all sorts of different music and a lot of kind of films and also different styles and genres. And so, all of these things have influenced me along the way and I take a little bit from everything I do. I've been lucky to work with a lot of great people and learn from them.
I looked at what my talents and desires are and decided to start my own business. I like the advantage of being able to work at a slower pace if I need to do that and there is no one pressuring me to work faster
I incorporate different styles that work for me. I could easily change my style depends on my opponent.
I've been blessed with the athleticism that I've got. I've worked a little bit to try and fine-tune certain aspects - my pace, leap, timing - to make it work on the football pitch, but I always had it in my armoury being able to jump high. I was always good at long jump back in the day at school - nobody could ever beat me.
I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.
Depending on what country I go to, my style might be a little bit different and my tactics might change a little bit, but at the end of the day, I'm still Tessa Blanchard and I'm still the same wrestler.
Bumrah's action is a bit awkward, so you don't see his slower balls. He can trick you with pace. He is a lot quicker than he looks.
I live in Connecticut, but eventually I'd like to move back to New Orleans. I grew up there; the pace is a bit slower. Plus, I love crawfish and po'boys.
Country music is just country. It's going to shift around a little bit, doing some different instrumentations, different production styles. But it will always come back to what you heard at the Opry. Nobody wants it to change.
In terms of pace, I think I just have to revisit my relationship with expectations. That has a little bit to do with comparing ourselves to other people and seeing other people's journey and seeing how they had a certain success at a certain age.
I love writing, composing and producing music. It's what I enjoy doing most in life and I create so much material that crosses over so many different styles that it would be virtually impossible to release all under one name/project. That's mainly why I like to create aliases and work on production for other artists as well. It just make sense. I just want to be able to have an outlet for all the different styles of music that I like working in.
There's a bit of a new guard of contemporary classical musicians in New York, and we play a lot of different kinds of music together. We do pop studio sessions, and we'll also play John Cage and more avant-garde work. We're developing a language of music that comes with a lot of different styles, different kinds of work.
Every violinist has a different style, so it's important to be able to recognise their styles. You don't have to like everyone's style but you have to know these styles.
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