A Quote by Shawn Wayans

We pay homage to the people who came before, doing satires, like Mel Brooks; we're just carrying the torch. — © Shawn Wayans
We pay homage to the people who came before, doing satires, like Mel Brooks; we're just carrying the torch.
Id like to acknowledge three people who early on knew Mel Brooks was one of the funniest people in the world: Sid Caesar, me, and Mel Brooks.
They wanted me to play third like Brooks so I did play like Brooks - Mel Brooks.
I think that all the Mel Brooks' company of actors is just tremendous. It was a crazy group of genius people. All of them taught me what kind of actor I should be and what was funny.
I've always looked up to Amy Poehler and, obviously, people like Adam Sandler, Will Ferrell, Mel Brooks, and the 'Monty Python' guys.
If you play a part that's been done before, on stage for instance, you feel like you're carrying a torch and staggering under the weight of it for a bit and then passing it on to somebody else.
With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
Mel Brooks and David Zucker - there are very few people who know silly, and they're usually hugely intelligent, because you have to be intelligent to get it. Like the Marx brothers. I love it.
The Grateful Dead are our religion. This is a religion that doesn't pay homage to the God that all the other religions pay homage to.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
I have performed my one-man show '700 Sundays' over 400 times now. There were only two times that I can honestly say I was nervous. The first was when I knew Mel Brooks was in the audience, and the second was when Sid Caesar came.
To me, I always felt like I was carrying a torch for women of any size to be themselves - it doesn't matter whether you're a size 2 or a 22, just be who you are.
I remember seeing Airplane, and even Mel Brooks movies like History of the World Part I, and just really loving that style of movies that make fun of movies. I think it needs to be done. All of these movies are ripe for being poked at.
I think I have a finely tuned sense of humor. I think just being around it and growing up in it... my dad and Mel Brooks and Norman Lear. These are the people I grew up around.
I mean I would still love to be in Mel Brooks' movies; he's great.
Truth does not pay homage to any society, ancient or modern. Society has to pay homage to Truth or die.
The artwork for the record is kind of an homage to that. It's a collage, which rhymes with homage, I just realized. It's an homage to this kind of almost like a teenager's idea of what the future might look like, if he were using a Xerox machine and cut-and-pasting it together. Which is exactly what we did to come up with the artwork.
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