A Quote by Shayna Baszler

In MMA, you're trained to tune the audience out. In sports entertainment, you're trained to feed off what the audience is thinking and feeling. — © Shayna Baszler
In MMA, you're trained to tune the audience out. In sports entertainment, you're trained to feed off what the audience is thinking and feeling.
When I was young I trained a lot. I trained my mind, I trained my eyes, trained my thinking, how to help people. And it trained me how to deal with pressure.
I wasn't a trained actor, I was trained in musical comedy theater, and when you do that, the audience is completely part of the thing. It's like Elizabethan theater. You play the scene, and then you turn - the audience is part of it.
I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed.
To be honest, I am not theatre-trained and though I am confident in my skill set, to do theatre requires a better-tuned set of muscles and I sometimes defer to actors who are better trained. But at the times I do want a shot, I'll go for it, especially if the piece speaks to me and the opportunity comes up. The immediate response from a theatre audience is so thrilling, affirming, and soul-feeding; to know how you've affected an audience at curtain can be ego-blowing, both good and bad.
I was trained by, at the time, the toughest man in the world. Not according to him, either. His name is 'Judo' Gene Lebell, and he trained Bruce Lee, Chuck Norris. He's the godfather of MMA.
We're being trained through our incarnations--trained to seek love, trained to seek light, trained to see the grace in suffering.
In the same way that I'm open when I speak, I'm that open on stage. I feed off the energy of the audience, too, so they're feeling what I'm feeling.
When I was on the court, I played. When I trained, I trained hard. But as soon as that thing was over, I switched off and enjoyed my life.
When you have police officers like Office Encinia who is a trained professional, who is trained to de-escalate a situation where a motorist may not be in the best of moods because of an encounter that they're having with you, you are trained to respond differently.
One thing that cable has done is trained the audience that, when a TV show is on, it should be on.
I trained to be a theatre actor, I love the live gig, the transference between an audience and a performer.
A performance is only as good as the audience you are playing to. A lot of times you feed off of the audience, and we always try to give them all we've got and sometimes you don't get a lot back, but we've never been dead whenever we've performed.
When I started off in journalism, you knew there was an audience out there and that you wanted people to read what you produced. But it also felt like you had a limited ability to shape the audience, or to acquire an audience, for what you were doing. So you didn't really think too much about that.
I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. To try to think of what makes for entertainment is a very Japanese thing. The people who think like this are old-fashioned. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist
I loved my time in Deep South Wrestling. We trained so hard and I got a crash course into the world of sports entertainment and pro wrestling.
Friends sometimes ask me, 'When you get the ball what are you thinking?' But you do not have time to think. You have to do it. It's not instinct; that's not the right word, but it's how you feel in this moment. You sense it. It's trained, but it's trained inside you. It makes you faster in the moment.
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