A Quote by Shea Hembrey

I think that an artist should be a skilled craftsman. — © Shea Hembrey
I think that an artist should be a skilled craftsman.
Look, Matisse I ain't. You know how they have on the invitations, a reception for the artist will be held at... And I say, Look, you gotta change this. I'm not an artist. I'm a photographer, a skilled craftsman.
Architects, sculptors painters, we all must return to the crafts! For art is not a 'profession.' There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman.
There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman.
That's the difference between the serious artist and the craftsman--the craftsman can take material and because of his abilities do a professional job of it. The serious artist, like Proust, is like an object caught by a wave and swept to shore. He's obsessed by his material; it's like a venom working in his blood and the art is the antidote.
Paddy Considine is a great friend of mine, and he is a natural actor because he is an artist, and I'm not an artist. If I ever blow my own trumpet, it's as a craftsman.
The skills of the modern artist are the opposite of those of the craftsman: instead of acquiring techniques for producing classes of objects, the artist today perfects the means suited to his particular work.
An artist is a prophet and seer, not a paint craftsman or design maker, or reporter or entertainer... the artist has the superiorly searching perception with which that world outside of man's contamination can be penetrated and the truth drawn out from it.
Proficiency in a craft is essential to every artist. Therein lies the prime source of creative imagination. Let us then create a new guild of craftsmen without the class distinctions that raise an arrogant barrier between craftsman and artist!
We're in a post-conceptual era where it's really the artist's idea and vision that are prized rather than the ability to master the crafts that support the work. Today, our understanding of an artist is closer to a philosopher than to a craftsman.
I consider myself more a craftsman than an artist.
I certainly see myself more as a craftsman than as an artist.
In the business of portrait photography, one must combine the artist and the craftsman.
We have neglected the truth that a good farmer is a craftsman of the highest order, a kind of artist.
We don't really want to think that the artist is only very skilled, that he has merely devoted his life to perfecting a certain set of intelligible skills.
The artist who is not also a craftsman is no good; but, alas, most of our artists are nothing else.
There's been this steady metamorphosis from just surviving to being a craftsman and, ultimately, the hope is to be an artist in what you do.?
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