A Quote by Sheck Wes
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I think freestyling is very important. That's the key to the game, if you wanna be in the MC crowd, freestyling is important.
If you ever fall off, freestyling is what gets you back on track and go. Freestlying ain't always just to rap; you might fall off and you gotta come back. That's what freestyling is all about. Come off the dome with whatever is on your mind.
I always try to pick projects by: Is this something that excites me? What are the people like to work with? Obviously you spend a lot of time in a room together with them, so I always try to find projects that hopefully have great people attached.
On certain projects, on big public projects, people definitely are interested in making them greener, but on smaller projects with tight budgets it can be harder.
I always try to take projects I'm genuinely interested and passionate about versus just trying to take projects for the money.
The projects that I end up doing, that I want to be involved with in any way, have always been projects that will be impactful, for the most part, to my people - to black people.
My journalist sensibilities have guided me toward the types of projects I've gone for, even though the projects have been fairly diverse. It always has to have that interesting to attract me, I think.
Neil and I share a desire for great quality in our work. If we are offered projects, look at projects, or consider projects that don't have that quality, then we don't do them.
When I get dressed, it's like freestyling.
Some types of environmental restoration projects are well-known; restored wetlands, for instance, or coal mine reclamation projects. Recently though, larger dam removal projects have started, a number of them in Washington state.
I've always juggled a lot of projects because at least half the projects you do get shelved. So you have to do a lot of things in order for things to move forward.
I always have a ton of projects in mind. On my ToodleDo list, I divide projects into those I'm actively working on, those I'm not doing but believe I will do, and those that sound good, but who knows if I'll ever get to them.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'
In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
I'm so happy in the projects that I'm able to make, to be involved in projects like this. This isn't always where it was at for me, I started working when I was a kid. I'm just a different person now, I'm 30. I started working when I was 11 and it's a different ballgame.
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