A Quote by Sheena Easton

Even though I pretty much made my own decisions early on, when I was younger I tended to overbook my life. — © Sheena Easton
Even though I pretty much made my own decisions early on, when I was younger I tended to overbook my life.
I'm such a lucky guy. I've been able to make my own decisions for my own life for the last fifty years...or sixty ... well maybe not sixty. Even though I think I was making my own decisions at the tender age of eight.
Even though it runs counter to popular belief, Life's critical decisions are usually made in the heart and only later ratified by the brain.
Even though I knew pretty early that I was going to be a scientist, it wasn't the science that interested me in science fiction; it was the vision of future societies that, for better or worse, would be radically different from our own.
All my novels are very much directly related to my inner life, even though I'm inventing characters, even though it's fiction, even though it's make-believe, it nevertheless is coming out of the deepest recesses of myself.
My mom used to model when she was younger, before she went to law school, and I think she thought it was pretty cool. I think my parents saw that acting ultimately made me happy, even though it was a rough ride for a little bit.
I realised early on that there were two groups of people in the world: those who made the decisions and those who had the decisions made for them. I wanted to be one of the decision-makers.
I would love to have kids one day. In fact, I'm pretty good with them. I grew up with five half-siblings, the youngest of whom is 11 years younger than me, so I think I learned some pretty cool parenting skills quite early on in life.
I do experience something pretty commonly with every song; there's some moment where it clicks into its own life with its own emotional impact that I feel, and even though technically I'm the one writing the song, it's like watching a storm come in.
The white music was melodic and pretty, and you had beautiful women's voices like Gogi Grant and even the Andrews Sisters. Then I went directly to rhythm and blues, which had beautiful voices but not much melody in particular and pretty much the same chord pattern. I loved it, I was entrenched in it, but then folk music came in the middle of that for me, and made its own path. And it was part of the rebellion against bubblegum music, or music that is pretty but doesn't say anything.
Girls slightly younger tended to be Donny Osmond girls or Michael Jackson girls, but for my generation, it tended to be David Cassidy.
It shouldn't be difficult, then, to make the transposition at this point into the early Christian vision of Jesus and the Spirit and the way in which the material world is both celebrated and renewed through their work. The Jewish basis for the early Christian patterns of belief and behavior is clear. It is important that God's people are embodied, because God made this world and has no intention of abandoning it. The material of creation is a vessel made to be filled with God's new life and glory, even though the transformation may involve suffering, persecution, and martyrdom.
Curiously enough, the only two plays that I've done very much revision on were the two adaptations - even though the shape of them was pretty much determined by the original work. With my own plays, the only changes, aside from taking a speech out here, putting one in there (if I thought I dwelled on a point a little too long or didn't make it explicit enough), are very minor; but even though they're very minor - having to do with the inability of actors or the unwillingness of the director to go along with me - I've always regretted them.
In the book [Today Matters] I talk about successful people make important decisions early in their life, and then they manage those decisions the rest of their life.
In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending. So for much of the period in which I'm writing, I'm waiting to understand what's going to happen next, and how and where it's going to happen. In some cases, fairly early in the process, I do know how a book will end. But most of the time, not at all, and in this particular case, many questions are still unanswered, even though I've been working for months.
I'm pretty laidback as a dad anyway. I just trust her so much. She has a great head on her shoulders and she makes pretty good decisions most of the time. She even has enough common sense that if she makes a bad one she makes adjustments and knows that's what life is. It's a day-by-day, step-by-step journey through life, as she says in the movie.
We want the government to be controlled by all the people, not by the richest 1%. That's always been the first demand. That's a simple enough message, and I think it's pretty clear now, even though much of the media has been disingenuous in its coverage. We don't want the heads of the biggest industries to make all the decisions, because they're not for the people. They're for the corporations. Power to the people!
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