A Quote by Sheena Iyengar

It's always a thrilling experience to go into a place that offers you a lot of choice. You know it's like it reminds you of when you're a kid and you go to the amusement park and whether it be Disneyworld or Six Flags you know that thrilling moment when you first enter and you know you've got all these possibilities for the day and it's really a... it's a wonderful feeling.
There's something about being a part of Broadway and going backstage. You know, like when I go to see a show now and going backstage and saying "Hi" to the cast. It's so thrilling. It's so beyond my wildest dreams from when I was a kid.
I've never understood the appeal of feeling really scared. I know that people do find it really thrilling. For me, artistically, it needs to be worth the effort of me feeling uncomfortable watching it.
I was enjoying myself writing, because I don't know what's going to happen when I take a ride around that corner. You don't know at all what you're going to find there. That can be thrilling when you read a book, especially when you're a kid and you're reading stories.
It means a lot in my business and its a wonderful feeling to be recognized for what you have done over a lifetime, but I didn't go crazy. I still eat my cereal in the morning, have a sandwich in the afternoon, go to bed at night. You know, nothing really different.
It's very important for us because we are viewers, first and foremost. We view more than we make. For us, it's important that the viewing experience is fun and thrilling and exciting and fresh and different. Those are our goals when we are writing something. When you watch it in the theatre, which I hope you will, how will you have the best experience possible? That's really important to us, and is the most thrilling.
We celebrated Christmas. Not religiously, but we did the tree and the lights. Hannukah always seemed not quite as thrilling - Sorry to my Jewish brothers and sisters! But when you're a kid, Santa and all that, you know, that really trumps the menorah. So we did Christmas.
But you really - I always think that a director has got to adapt to whatever the needs of the actor are. You know, so if you take someone like Eddie Murphy, who is not a big fan of rehearsal. You know he comes out of stand-up. He comes - it's all about capturing the moment - in the moment, you know.
Six Flags has to be a destination, but it's got to be a place that you want to go to every single summer and you don't want to go just for a roller coaster or a new ride. We have to sell the experience and sell the image: clean, safe, friendly and fun. The parks are not necessarily all of those attributes, but they will be.
Thrilling, thrilling to see yourself on a baseball card for the first time.
You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.
When you've won a lot of matches you know how to play the important moment - you have a great feeling on court, confidence. You know what you have to do, when to go for the shots or when to play solid. It's really clear in your head, and you trust in your hands.
I have loved music so much from when I was little, and I don't know whether it was because I saw my dad doing it and then I got the idea; I don't know what came first... But I always had a hairbrush in the mirror singing. I was always with him backstage; I would go out and be pulled in for the last song.
I have loved music so much from when I was little and I don't know whether it was because I saw my dad doing it and then I got the idea, I don't know what came first... But I always had a hairbrush in the mirror singing. I was always with him backstage; I would go out and be pulled in for the last song.
To act out something or take chances in the performance is one thing. But in terms of a camera, whatever's captured is captured so that's a little more daunting. You know you can't go back next week and fix it. Whereas in a live audience you know it's so in the moment and you just go with what's happening. First of all you never have to see it again so you don't know if you were really fulfilling it or not.
Now, playing a love interest can be really thrilling, if you're working opposite thrilling people.
I don't know. You know, when I'm not acting, I'm not an actor. I'm just a person. That's how I go through life. I'd rather not - you know, like a lot of actors, you know, they spend their whole 24 hours a day being an actor.
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