A Quote by Shefali Shah

I am constantly in a need to create irrespective of the medium. When I started out, I did sketch and I continue to do so on paper sometimes. Mainly, I work with acrylic and ink. Honestly, I don't have the patience for oil paint to dry.
I would say - and paint doesn't peel unless it's acrylic paint, so maybe it is acrylic paint that they're using, not oil paint. So let me say yes, it would be acrylic house paint, which, when it dries, peels very nicely. So let's go with that.
I'm into using acrylic, in a complicated kind of way: Making it just as good as oil paint - better, maybe. It's odd - when I started out, acrylic was for children, pretty much. It was a cheaper paint. It wasn't supposed to look very good or last very long.
I paint in acrylic and sometimes in oil. Sometimes I'll paint my kids. And I'll occasionally do some photography.
I love paint. I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
I also paint and enjoy acrylic medium; some of my close friends have paintings I did for them.
People ask me why I don't paint oils. It takes too long. Cleaning brushes in linseed oil, and it takes six months to really dry, and all this. I don't have that kind of time. I work with acrylic. It's water based. You can clean it under water. If you spill it on yourself, you just throw it in the washing machine.
I think we're in an age where artists really have an incredible range of materials at their command now. They can use almost anything from household items - Jackson Pollock used house paint - to, you know, advanced computer systems, to good old oil paint and acrylic paint.
I painted with acrylic paint, and the reason why I went to oil was mainly because I didn't control it. I was looking for the insecurity of it. I mean, I might have found another reason later, but at that moment, the reason was I was looking for the insecurity.
I do acrylic paint, oil paint, and caustic. Caustic is melted wax. It really depends on the painting, what vibe I'm looking for. That's really what matters.
I don't like acrylic because you can't get the density of color. And with each coat of oil paint, the surface gets better and richer.
By 1949, there was no more work for me out there, and I went to New York in 1950 and just did whatever I could. Mainly television. Some Broadway. A lot of dinner theater work, which is not a very satisfactory medium.
I've never considered soundtracks for what I write. Nor have I considered computer drawing or painting. As a painter, I'm still trying to perfect what I started out doing with brushes, pen and ink, paint, etc. The transition, for me, from typewriter to computer was a big step. I am now very comfortable with writing on a computer but it took awhile. Because I did make that big step I won't rule out what happens in the future.
How can justice be attained when, in the expiation of an old wrong, another wrong is to be committed? No reasonable creature would conceive of the idea of obliterating ink stains with ink, or spots of oil with oil. Only blood must be washed out with blood.
It's to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that's my method.
The condemned social order has not been built up on paper and ink, and I don't fancy that a combination of paper and ink will ever put an end to it.
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