A Quote by Shefali Shah

On OTT, it's not about her or heroine, every single character is powerful and a hero, heroine in their own space. — © Shefali Shah
On OTT, it's not about her or heroine, every single character is powerful and a hero, heroine in their own space.
I love that Moana is a heroine, and I hope people take that away, and that you most certainly can be the heroine, or hero, of your own story.
It does not take a great supernatural heroine or magical hero to save the world.We all save it every day, and we all destroy it -- in our own small ways -- by every choice we make and every tiniest action resulting from that choice.The next time you feel useless and impotent, remember what you are in fact doing in this very moment. And then observe your tiny, seemingly meaningless acts and choices coalesce and cascade together into a powerful positive whole.The world -- if it could -- will thank you for it.And if it does not... well, a true heroine or hero does not require it.
I believe that every single person attached to a film is a character and nothing more. I don't categorize them as hero, heroine, etc.
In the '80s, there was a fixed costume of a heroine, and not the physical costume, but this is what a heroine is, she is an art prop. She will look beautiful, support the hero, dance, get saved by hero. I didn't ever aim to go there.
No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be a heroine... But from fifteen to seventeen she was in training for a heroine.
The audience simply don't find a heroine picking a fight with 10 guys as convincing as a hero. So the industry always sticks to psychological thrillers and ghost movies for heroine-oriented projects and this can sustain only for a short time.
Every good movie I watch, the hero becomes my favourite. I start blushing every time a hero romances a heroine.
In a typical Hindi film, there's the role of the hero, the heroine, and the other important character is the villain.
THREE DAYS TO DEAD is one of the best books I've read. Ever. Evy Stone is a heroine's heroine, and I rooted for her from the moment I met her. Kelly Meding has written a phenomenal story, one that's fast-paced, gritty, and utterly addictive. Brava! More! More! More!
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard?
But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way.
I never stopped being a heroine. I began acting when I was four and bagged my first film as a heroine at the age of 15.
People see their own lives as stories; a lifelong story with a single hero or heroine... much contemporary unhappiness is due to the fact that people in high tech societies receive neither strong myths and stories from their culture nor the ability to construct their own... they lose the plot.
There are no hero-heroine films any more. They are more character-oriented.
'Captain Marvel,' whereby the steel trap is challenged, where the hero is a heroine, where the most powerful person who has the welfare of the future of the human race is a woman. What else can it be? Because that was the role of my mother when I was a kid.
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