A Quote by Shefali Zariwala

A stage show's popularity depends on its organisers and the public, but primarily on the performer. — © Shefali Zariwala
A stage show's popularity depends on its organisers and the public, but primarily on the performer.
I'm excited to be part of the world's biggest dance show. What attracted me towards the show, apart from its global popularity, was the format of street versus stage.
I am a street performer as much as I am a stage performer. Yes, I have a television show, but every trick, every 'Mindfreak' you see, I can do live.
Everything's about my personal entertainment. The world is my stage. Keep it up- you're becoming a star performer in the show.
I think on a bucket list for a performer is definitely doing a stage show, whether it's in Vegas or on Broadway or whatever.
I've always as a performer on stage tend to sort of throw myself into the character, whatever I've written about, so it depends on how I'm writing or what I'm writing about.
There's probably a little more creative freedom in cable versus network, a little less of a committee looking over everyone's shoulder, but it depends on the network; it depends on the show; it depends on who the head writer or show runner is and what track record they have.
I'm a Gemini, so there's two people in me. Straight up. There's the nerd who is totally zoned out in the studio, EQ-ing this kick drum, raising this snare one decibel, or swapping this high hat out for another. Then there's the other side who's a performer. I have to go out on stage and be electric, a fire cracker, just run around the stage and give a show.
To the general public, show business may just mean the artistic part, but the dollar and cents element is the reality every performer has to face.
Public-sector union organisers have told me about how firefighters, police officers, and nurses can no longer afford to live in the cities they serve and protect.
I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.
None of the original love and feel for going on stage is gone. I'm not a true singer. I'm performer, and I need to be on stage.
We're all in the same room, so I want people to be involved with one another, but again you can't decide exactly to what extent that operates. It varies all the time and it depends on the show, it depends on the audience, it depends on everything.
Some bands blow it before they even play. The most important moment of any show is when a band walks out with the red amp lights glowing, the flashlight that shows each performer the way to his spot on the stage. It's crucial not to blow it. It sets the tempo of the show; it affects everyone's perception of the band.
I have written before, but I was primarily an actor and improvisational performer.
For all the popularity of spiritual advisers in South Korea, it still shocks to see the leaders of huge public companies relying on fortune-tellers. A shaman may advise a struggling executive to move a building's front entrance, tapping the widespread pungsu belief that your luck depends on the direction of your house.
A company's success no longer depends primarily on its ability to raise investment capital. Success depends on the ability of its people to learn together and produce new ideas.
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