A Quote by Shehnaaz Gill

I want everyone to whistle when I come on screen. However, even if that doesn't happen, I hope people like my work. — © Shehnaaz Gill
I want everyone to whistle when I come on screen. However, even if that doesn't happen, I hope people like my work.
Ah, my dad's whistle. On holidays when I was a kid, we would all be off in the rock pools along the beach. When it came time to go, we'd hear the whistle and we'd all come running. Like dogs!
I call myself a grasshopper. I paint, I write poetry, and I'm in a band. When it comes to movies and TV, I like to work in everything and with everyone. I wanna do it all, beyond even the screen.
Some of the hardest-working and most productive people in this city are undocumented aliens. If you come here and you work hard and you happen to be in an undocumented status, you're one of the people who we want in this city. You're somebody that we want to protect, and we want you to get out from under what is often a life of being like a fugitive, which is really unfair.
I don't have the privilege of choice to say, 'I want to work with you,' and the person will say, 'Yes, come on, I will write a film for you.' It doesn't happen for people like me who come from the outside.
Everyone has the same kind of fears; everyone has the same big problems in the world, which is, like, fear of death and 'I hope horrible things don't happen to my family,' but they do. And I think people laugh at them as this great release.
Everyone has the same kind of fears; everyone has the same big problems in the world, which is, like, fear of death and I hope horrible things dont happen to my family, but they do. And I think people laugh at them as this great release.
The thing we adore about these dog-whistle kerfuffles is that the people who react to the whistle always assume it's intended for somebody else. The whole point of the metaphor is that if you can hear the whistle, you're the dog.
I figure if I keep my health, I have no intention of retiring. I love to work. I want to be like Bob Hope. I want to keep on going out and doing what I love to do. Of course, I'm no Bob Hope, but I mean that feeling that you never are old and have things to offer and can be useful to somebody. I always want to be useful, I have no intentions of retiring unless I should get sick or something should happen to my husband. Other than that I'm going to work until I fall over.
People in big studios are like, 'People want to see other people who are skinny and happy and amazing.' But I think, nowadays, they are realising that what sells is real people from all different backgrounds, ethnicities, cultures and size. People want to see themselves represented on screen, and it's a real cool thing for everyone.
Like everyone else, there are days when I don't want to go to work. However, writing is a job like anything else.
Hope. People want hope. We crave hope. We long for hope. Hope has been present since the very beginning. And almost in the worst situations of human history, you often find the greatest amount of hope. The very nature of the situation, the way stepped-on people created within them even more hope than when things were going fine. Hope has always been around.
I love the Western genre. In fact, one of my dreams is to play a cowboy on screen, like Clint Eastwood. I don't think it's going to happen, but you can always hope.
At certain junctures in the course of existence, unique moments occur when everyone and everything, even the most distant stars, combine to bring about something that could not have happened before and will never happen again. Few people know how to take advantage of these critical moments, unfortunately, and they often pass unnoticed. When someone does recognize them, however, great things happen in the world.
You have to look at the body of work you're doing and then figure out the best way for people to digest it. You want people to come in and listen to all of it and understand the entire project. I think it's bad when everyone's like, "This is how you have to do it."
I've had people ask me: 'How can you make a movie about a murderer? A terrorist?' What they don't understand is that I'm in support of everyone who appears on screen. I have to be. I take the position of everyone who's on screen. I'm not judging them one way or another.
They benefit from all these people, "I just don't like the fighting. Could you stop the shouting? All I want to do is just get along." They're easily able to bulldoze large groups of people into laying down and letting it happen in the hope that this will be peace, in the hope that there will be no confrontations, in the hope that the shouting will stop.
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