A Quote by Shehnaaz Gill

I really had a great time shooting for Dabboo Ratnani. He is such an experienced photographer and works in perfection. — © Shehnaaz Gill
I really had a great time shooting for Dabboo Ratnani. He is such an experienced photographer and works in perfection.
I am going to be on 'True Blood.' It was really exciting. I had a great time shooting it. I spent the last nine months shooting this season and it was very secretive, very sexy, a lot of blood and fangs.
When I first started to take photographs in Czechoslovakia, I met this old gentleman, this old photographer, who told me a few practical things. One of the things he said was, "Josef, a photographer works on the subject, but the subject works on the photographer."
When the novice photographer starts taking pictures, he carries his camera about and shoots everything that interests him. There comes a time when he must crystallize his ideas and set off in an particular direction. He must learn that shooting for the sake of shooting is dull and unprofitable.
During the Great Depression, African Americans were faced with problems that were not unlike those experienced by the most disadvantaged groups in society. The Great Depression had a leveling effect, and all groups really experienced hard times: poor whites, poor blacks.
I'm a portrait photographer that's used to shooting celebrities, and I usually need time and all kinds of lights and a studio to set up my shots.
Shooting a horror story with kids, I always explain really simply. They may be scary to watch, but they're a lot of fun to shoot. You know, the kids have a great time shooting these movies. Whether you let them watch it is another matter.
A photographer kept shooting me every time I swung. I was very flattered until I found out he was from Field and Stream.
It fascinates me that there is a variety of feeling about what I do. I'm not a premeditative photographer. I see a picture and I make it. If I had a chance, I'd be out shooting all the time. You don't have to go looking for pictures. The material is generous. You go out and the pictures are staring at you.
Shooting this one was kind of like a two month party, we would literally play music between takes, and other movies that were shooting on our lot would play hookey, come over and hang out and stuff. We had a great time.
I loved shooting 'iGo to Japan' because we got to be outside a lot, and our call times were really late because we had so many night scenes. It was pouring rain, so the cast would huddle together in between takes and drink hot chocolate. Shooting that episode was such a great bonding experience.
I think I was never home when I was directing, because you're either prepping, shooting, or editing, and then acting at the same time. It's really time-consuming, but it was great fun.
I've had a great time on the road, I would say shooting guns with a silencer in Jacksonville, Fla.
I was fooling around one day and looking at Yahoo! Jobs. I typed in "photo" and, of course, what comes up is "One hour photo lab" or "Be a photographer in Disneyland" or jobs that no one really wants as a photographer. I saw, by chance, this ad that said, "Wanted: Photographer for premieres and Hollywood events" and I thought, "This can not be real. This is ridiculous. No one advertizes this!" I was really suspect about it.
This grace of God is a very great, strong, mighty and active thing. It does not lie asleep in the soul. Grace hears, leads, drives, draws, changes, works all in man, and lets itself be distinctly felt and experienced. It is hidden, but its works are evident.
We had met with Ben Stiller here in LA when I was shooting The Ring and he was doing Meet The Fockers and we have friends in common. But we didn't know each other well. He's fantastic and we really had a great time on this and we were both laughing at where we were at, this other couple, and how it was mirroring what we were going through as well. It was clever writing in that way.
Actually, if you look at the works of the great architects of our time, you can see that their most beautiful works are always their later works - Kahn, Corbusier, even Gehry.
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