A Quote by Sheila E.
I like being in the back. I've done that for so many years, I'm really comfortable doing it. I don't like the solo thing as much as I like playing drums behind someone.
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I'm not comfortable being around too many people. I don't like being out in public too much. I don't like going to bars. I don't like doing celebrity stuff. So most of the characters I play are people who don't always feel comfortable beyond their small circle of friends.
I don't do enough movies that I can call it a career. It really is sort of like summer jobs or something like that. It's very much like holiday work as far as, okay, I do it, and I'm there for two weeks and hopefully am working really hard, and then it's done, and I kind of go back to what I was doing before.
I'm very comfortable with being productive. I like doing things, and I like creating things. As far as being powerful, I guess I'm comfortable with it. It's not really how I think of myself.
When someone is playing drums, they aren't actually moving around a space; they're just moving their arms and limbs. They're stuck behind the drum set. So to film someone playing the drums and make it feel as kinetic as a car chase or a shootout or a battle scene was the challenge.
It's crazy that I have so many fans that will appreciate me that much. It really gives me - I'm like, I wish that I really could love someone that much. Just think that there's so much power in being young and stuff like that.
I can't really explain what it's like to be in love, but I feel like it's being comfortable. It's almost like having a best friend. It's a beautiful thing.
I don't like it if I am being held like a baby. If someone holds me normally, and I'm not being coddled, I feel much more comfortable.
I think what irks me is that I feel like women are really being compartmentalized physically, and it's been done so much that now we're doing it to ourselves. I don't like it.
I've always been obsessed with drums. They fascinate me. Any other instrument - nothing. I play acoustic guitar a bit. But it's always been drums first and foremost. I don't reckon on this Jack-of-all-trades thing. I thing that felling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts.
I really like those days when I can just wear sweatpants, to be honest. And when I'm actually going to go somewhere, I like to be comfortable and casual. If I'm doing something a little more fashion, going a little bit further. It's about expressing yourself and being comfortable and wearing what you like.
I think we're all actors. There's this friend of mine who's a great drummer, and he said, "I never thought I'd be a drummer, but I got really good at it. I always feel like I'm an actor playing the drums." His real calling was that he was going to be a magician. That's what he felt like he wanted to do. If you decide to act like a journalist, you'll probably be a better journalist than just being a journalist. What you're doing is, you're taking the executive role and stepping outside yourself so that you're able to make more objective decisions.
I felt like I plateaued at playing drums, like I wasn't getting any better. I bought an electric pair of drums, sold my drum set, and got introduced to making beats.
I really try to keep it hip-hop oriented. For me, that's high energy - people being able to dance, being able to vibe out - but with an ethereal factor. When I perform, I'll have a guy doing live visuals for me or I'll have a guitarist playing a lot of solo, really heavy reverbed vibes and stuff like that.
When we were younger, playing a bar or a club, we did what we did to get as many people to like what we were doing. I wanted the person in the back of the room to like it as much as the ones in the front. That's how I've always looked at it.
At a young age I thought, 'Wow, that fiddle thing, that's pretty cool. That mandolin is great. These drums, I like these drums ' They were Indian drums. And I was saying, 'But that guitar. That guitar. Girls are going to like that guitar.'
At a young age I thought, 'Wow, that fiddle thing, that's pretty cool. That mandolin is great. These drums, I like these drums... ' They were Indian drums. And I was saying, 'But that guitar. That guitar. Girls are going to like that guitar.'
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