I started as a playwright. Any sort of scriptwriting you do helps you hone your story. You have the same demands of creating a plot, developing relatable characters and keeping your audience invested in your story. My books are basically structured like three-act plays.
Tell the story that's been growing in your heart, the characters you can't keep out of your head, the tale story that speaks to you, that pops into your head during your daily commute, that wakes you up in the morning.
I know you think that when you're 35, 45, 55, you'll be different. But I'm going to let you in on a bit of a secret. You're going to look different, and your life is going to be different, but in your head you'll always be that 16-year-old girl.
It's one thing to not want an evil-sorcerer type villain in your story, but it's another thing to avoid having any sort of antagonist at all. A story without an antagonist gets weird pretty quick.
As we continue toward the fifth secret technique of psychics, I have a gut feeling that you are the sort of person that lets your heart rule your head, can sometimes be too impulsive for your own good, and have recently come into contact with a goat. Rest assured you are not the only one.
You try to break it down to weeks at a time otherwise you sort of make yourself crazy spinning out going from one....you just can't get your head around one of them fully. So I'm more task oriented. I like to sort of like focus on one thing for a couple of weeks...and also they're all in different stages of development.
Creating is one thing; telling the story is one thing. I see myself more as a storyteller than a story creator.
When I was a kid, I was always going to bed creating a story and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.
When I was a kid, I was always going to bed creating a story, and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.
And the other thing for the sort of posher kids was a sort of lethal scooter, you know. One of the things that you just push along with your - really heavy, lethal, you know, trap your fingers in and every bit of metal got rusty very quickly. And the girls I seem to remember they had a thing like a broomstick with a horse's head on the top which they sat astride.
The secret to freedom is to realize that you don’t have to believe your mind. You don’t have to believe your story. You don’t have to believe that voice in your head. You don’t have to believe your own thinking. You can simply observe it and say, “Thank you for sharing,” and then take the necessary action you’re scared to take anyway.
The secret of creating anything new in your life consists of creating new commitments and then holding the tiller to your new course until it becomes established as a behavior.
It's rare that I actually have a story in my head. I have events or 'what's the next move?' Like, Maggie, 'where's she going to go in this story, where's she going to end up?' Then the story has to fill in the in-between, and that comes as I'm starting it.
I feel like any actor should always be thinking about how to serve the story. The thing to be cautious of is trying to make too much of your "moment," or whatever. The story is a lot bigger than you, and you're there to help it along. The thing to think about is whether what you're doing is true to the moment and where the story's going, rather than going, "Here are my scenes. What can I try and do to make the most of them?"
Times might be tough, your head and thoughts might be spinning, but I find it's physically impossible to do that spiral thing when your mind is focused on giving and creating opportunity.
The right way to enjoy 'Heavy Rain' is really to make one thing because it's going to be your story. It's going to be unique to you. It's really the story you decided to write.