A Quote by Sheila Heti
Writing plays, I've always felt a little like I'm guessing - less sure of what's good and what's not good. I think that's because it's not a complete work of art.
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I think that we all know what evil is. We have a sense of what's evil, and certainly killing innocent people is evil. We're less sure about what is good. There's sort of good, good enough, could be better - but absolute good is a little harder to define.
I didn't worry about it because I kind of felt I left a good message and memory with the people in terms of my work, and I always felt with a good record, I could always come back.
I always felt that my work hadn't much to do with art; my admirations for other art had very little room to show themselves in my work because I hoped that if I concentrated enough the intensity of scrutiny alone would force life into the pictures. I ignored the fact that art, after all, derives from art. Now I realize that this is the case.
'Analyze This' is a good movie because Robert De Niro and Billy Crystal are really good. But without the material to put on the play, of course, they couldn't be good. For me, it starts with the writing. I always think that the writer is doing the vast majority of the director's work, in a sense.
I think I prefer writing books because the work of art begins and ends with you - it's easier to know if you're doing it right, as opposed to writing a play and then waiting around for somebody else to complete it.
When I did '21 Jump Street,' I felt like I was a part of something great, but on a very large scale. Working with people that genuinely want to make good art or good work or a good film, that's what keeps me going.
I don't know if I ever would have developed into a good actor, but that got completely scotched when I lost my vocal cord at 14 in the operation. But writing always - writing plays, writing, writing, writing, that was what I wanted to do.
It goes without saying that a good Catholic novel should be good craftsmanship, good writing skills. The creative person must always be engaged in the long labor of perfecting the tools of his art. Yet the work itself need not be explicitly evangelical in its themes and plots.
we should write because writing brings clarity and passion to the act of living. writing is sensual, experiential, grounding. we should write because writing is good for the soul. we should write because writing yields us a body of work, a felt path through the world we live in.
I'm not good at anything except writing jokes. I wasn't good at sports, I wasn't good at anything artsy, ever. I think there was a real worry for a while about what I would be good at. I was just this chubby little Indian kid who looked like a nerd.
I kept writing not because I felt I was so good, but because I felt they were so bad, including Shakespeare, all those. The stilted formalism, like chewing cardboard.
I've always felt that maybe one of the reasons that I did well as a student and made such good grades was because I lacked confidence. Lacked self-confidence, and I never felt that I was prepared to take an examination, and I had to study a little bit extra. So that sort of lack of confidence helped me, I think, to make a good record when I was a student.
I kind of felt I left a good message and memory with the people in terms of my work, and I always felt with a good record, I could always come back.
I think I have a good rapport with the people I work with and that really helps. If you like working with people and you always have a good time and you always do good work, then they're going to book you again. I like doing what I do.
Stop thinking about writing as art. Think of it as work. If you’re an artist, whatever you do is going to be art. If you’re not an artist, at least you can do a good day’s work.
I always felt like I had something to prove, like I had to work twice as hard to make sure I got it. I knew I didn't want to be a good skier. I wanted to be the best.
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