A Quote by Shekhar Kapur
A story is the relationship that you develop between who you are, or who you potentially are, and the infinite world.
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The story of the memoir is a story of me creating certain narratives so that I could live with my own experience and with the uneasy relationship between what I was doing and what I believed in - or what I saw as an uneasy relationship between those two things.
In a romance novel, the core story is the developing relationship between a man and a woman. The other events in the story line, though important, are secondary to that relationship.
Story is the umbilical cord that connects us to the past, present, and future. Family. Story is a relationship between the teller and the listener, a responsibility. . . . Story is an affirmation of our ties to one another.
Every man who has an idol or admires someone can recognise its themes. It's not only a film about the relationship between fans and idols, it's also a love story, a story of a man who is depressed, who has problems in his relationship with his teenage step-children.
The relationship between ARMgold and Harmony continues to develop and grow.
I've tried, in 'Bloodmoney,' to tell a story that gets at the crazy relationship between the ISI and the CIA, these absolutely fascinating, often mutually destructive two scorpions in a bottle kind of relationship that they have.
Human experience is infinite. Lives are infinite. Stories are infinite. Just because one story has gravity in it doesn't mean you can't write a different one with gravity in it.
In the nearer term, the likeliest source of risk is a conflict between China and the U.S. These are now the two largest economies in the world, and the combination of their economic interdependence, the sharp differences in their political and economic values, and the growing divergence in their interests makes this relationship potentially dangerous for everyone who might be affected by it - which means pretty much everyone.
I hope to develop our relationship with the Trump administration and with the United States. It's a very sound relationship that's based on the basic strategic congruence of views about the world, about the region.
Very often what will happen between actors is that they'll develop kind of a ghost relationship in real life that reflects their relationship on screen or in the play that they're doing. In fact, I'd say that happens almost every time. I don't know why that happens, but it seems very common.
My optimism rests on my belief in the infinite possibilities of the individual to develop nonviolence. . . . In a gentle way you can shake the world.
The relationship between an actor and a director is like a love story between a man and a woman. I'm sure sometimes I'm the woman.
The world without is a reflection of the world within. What appears without is what has been found within. In the world within may be found infinite wisdom, infinite power and infinite supply of all that is necessary, waiting for unfoldment, development and expression. If we recognize these potentialities in the world within they will take form in the world without.
We are blessed to grow up in a country that is the world's leader. We are blessed to be some of the most well-educated Black persons anywhere to be found in the world. This education and talent can be used in a friendly relationship with Africa, the Middle East, the Caribbean and Asia to develop the wealth and resources of these nations. The friendship of us with our kith and kin around the world would cause both sides to benefit exponentially, based upon how well we develop these relationships.
In this external world, which is full of finite things, it is impossible to see and find the Infinite. The Infinite must be sought in that alone which is infinite, and the only thing infinite about us is that which is within us, our own soul. Neither the body, nor the mind, nor even our thoughts, nor the world we see around us, is infinite.
I think the films Insomnia and Memento share all sorts of thematic concerns, such as the relationship between motivation and action, and the difficulty of reconciling your view of the story with the supposed objective view of that story.
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