A Quote by Shel Silverstein

When the light turns green, you go. When the light turns red, you stop. But what do you do when the light turns blue with orange and lavender spots? — © Shel Silverstein
When the light turns green, you go. When the light turns red, you stop. But what do you do when the light turns blue with orange and lavender spots?
It really annoys me when the light turns green, and you're behind somebody, and they're just sitting there looking at the light for about 15, 20 seconds.
I learn to affirm Truth's light at strange turns of the mind's road, wrong turns that lead over the border into wonder.
Light is a metaphoric thing. There is green light and red light. Then there is black light, which is mostly danger.
And if you love the light, then you come to the light to be proved, and tried whether your works be wrought in God. But that which hates the light, turns from the light, and that shall be condemned by the light forever. And though you may turn from the light, where the unity is, and you may turn from the eternal truth; but from the witness of God in your consciences, (which he hath places in you, which beareth witness for the living God,) you can never fly; that shall pursue you wherever you go.
I am forever chasing light. Light turns the ordinary into the magical.
Every time the light turns green, stay in the thick of competition.
To regulate something always requires two opposing factors. You cannot regulate by a single factor. To give an example, the traffic in the streets could not be controlled by a green light or a red light alone. It needs a green light and a red light as well. The ratio between retine and promine determines whether there is any motion, any growth, or not. Two different inclinations have to be there in readiness to make the cells proliferate.
The scale of light can be described by numbers called the frequency and as the numbers get higher, the light goes from red to blue to ultraviolet. We can't see ultraviolet light, but it can affect photographic plates. It's still light only the number is different.
When I finished playing, I didn't think I would be able to replace the buzz you feel at kick-off, but when the light on top of the camera turns red, and you're about to go live to the nation, it is a very similar feeling.
Cars are all jammed up all along the road and a light turns red and someone honks. In every one of those cars there is a story or a hundred stories. For every light on in al of those huge city buildings there is a story. No one knows what I am about to face and no one knows my story and neither do I right then.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
The brightest light, the light of Italy, the purest sky of Scandinavia in the month of June is only a half-light when one compares it to the light of childhood. Even the nights were blue.
I know when to go and when to stop. I'm the red, the yellow, and the green light. That's me in a nutshell.
Americans are incredibly inpatient. Someone once said that the shortest period of time in America is the time between when the light turns green and when you hear the first horn honk.
Everyone's light turns on at their own time.
A black man, but I feel so blue. So I smoke green and purple to my dreams come true. And my eyes turn red, the sky turns grey.
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