A Quote by Shel Silverstein
I would hope that people, no matter what age, would find something to identify with in my books, pick one up and experience a personal sense of discovery. That's great. But for them, not for me.
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There are people out there who would enjoy my books but wouldn't pick them up because they think it's not going to be for them. I find it infuriating.There's a lot more going on in my books than just romance.
My upbringing in Birmingham gave me a sense of reality. I could not pick another city I would rather have grown up in. Growing up around really good, solid, godly people, it helped me to find those kind of great people in L.A., too, which can be hard for some people.
I never tell students they cannot read a book they pick up, but I do guide them toward books that I think would be a good fit for them. I think of myself as a reading mentor-a reader who can help them find books they might like.
I would love to start directing. I just hope to find the right thing and, if I was afforded the opportunity, I think it would be something great. It would be really hard, but I think it would be a great privilege.
My mother helped me identify myself the way the world would identify me. Bloodlines didn't matter as much as how I would be perceived.
I remember, for the first time, sitting down and consuming books in a matter of hours. This was such a new experience for me because reading, up until that point, had been such a struggle and source of stress. I think I just needed to find the right kind of stories with which I could identify.
IF - and this is the greatest of them all - I had the courage to see myself as I reallyam, I would find out what is wrong with me, and correct it, then I might have a chance to profit by my mistakes and learn something from the experience of others,for I know that there is something WRONG with me, or I would now be where I WOULD HAVE BEEN IF I had spent more time analyzing my weaknesses, and less time building alibis to cover them.
What is a great love of books? It is something like a personal introduction to the great and good men of all past times. Books, it is true, are silent as you see them on their shelves; but, silent as they are, when I enter a library I feel as if almost the dead were present, and I know if I put questions to these books they will answer me with all the faithfulness and fulness which has been left in them by the great men who have left the books with us.
I would not describe myself as a political writer except in the sense that the personal is political, which is something that I do strongly believe. And in that sense American Gods is a very personal novel and a political novel. I was trying to describe the experience of coming to America as an immigrant, the experience of watching the way that America tends to eat other cultures.
We both [with Suzanne Collins ] felt strongly that you wouldn't want to age up the characters, no matter the age of the actors playing the roles. They should be playing the age that they are in the [Hunger Games] books. It would let people off the hook, if you said, "Well, instead of 12 to 18, why don't you make them 18 to 25 or 16 to 21?" If you don't stay true to the horror of the fact that they are 12 to 18, you're not doing justice to the book.
When you talk to people about the books that have meant a lot to them, it's usually books they read when they were younger because the books have this wonder in everyday things that isn't bogged down by excessively grown-up concerns or the need to be subtle or coy... when you read these books as an adult, it tends to bring back the sense of newness and discovery that I tend not to get from adult fiction.
I would hope that wherever I was I would be me. I have been influenced by some wonderful people who showed me that there is an integral relationship between faith and life at home. Evil is evil, repression is repression anywhere. And if it is not consistent with what one believes is God's will, then I would hope that one would be able to witness it, and there are wonderful people who do so in very great risks to themselves.
I think, we can only write very personal matters through our experience. When I named my first novel about my son "A Personal Matter," I believe I knew the most important thing: there is not any personal matter; we must find the link between ourselves, our "personal matter," and society.
I took delight in hurling books across the room if I knew I would not be reading the second chapter. Then I’d go and pick them up again, because they are books, after all, and we are not savages.
I would categorize my books as literature, and I hope that is how they would be consumed. The books do not rely on the artwork to be understood, but I need my art practice to write them.
A lot of people expend great time and effort explaining why they don't like me, but none of them ever try to explain why their opinion should matter to me. I think most of them sense, but would never be brave enough to admit, their subordinate role in the food chain relative to me.
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