A Quote by Shel Silverstein
Stand-up comics reflect less of a visual humor and more of a commentary.
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I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
I'm more than a little suspicious of humor in poems, because I think it can at times be a way of getting a reaction out of a reader, or an audience, that is something closer to relief: i.e., thank god this isn't poetry, but stand-up comedy. Some poets are really funny, but more often poets are fourth rate stand up comics at best. But they benefit from the sheer relief of the audience.
Well, I think my stand-up is often kind of visual. Not like Carrot Top visual, but visual.
Stand-up is an art but since it's humor and it's funny - a lot of guys that don't think it's art are probably coming from the angle that they don't want to take it so seriously. I've always looked at it as an art but I don't look at it as a pretentious art. I understand it has to be taken lightly because it is just comedy in the end, but the good stand-up comics are someone with something to say.
I live making comics. Comics is an industrial art but less suffering, because comics are for young people who are more adventurous. I do that. I live off comics, and then I write books, but when you want movies, you cannot make movies without money.
I always get a little bit pissed off when stand-up comedy is not recognised as being as good a craft as being an actor. We give Oscars to people and it's like, 'Aw, this person is the greatest person on earth', but being an actor is pretty easy in comparison to stand-up comedy. It's no surprise that several stand-up comics have gone on to become great actors. I don't know any great actors that have gone on to become great stand-up comics.
I don't think comics use iconic forms - or they don't have to. But that makes them even more "cool," if I understand the idea. One has to be quite involved to make comics work. Signals have to be decoded on both the verbal and visual level, simultaneously, and the reader must do a lot of cognitive work between panels as well. Comics definitely need an engaged reader.
Obviously the role of comics is changing very fast. On the one hand, comics are widely accepted and taken seriously. On the other hand, the mass media is disintegrating, and audiences are atomizing. I suspect comics will have less widespread cultural impact and make a lot less money.
It's very rare that stand-up comics have kids, because once they do, they stop doing stand-up.
I want more stand-up comics in prime time. It's great for every comedian.
I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.
I've always preferred comics that really rely on visual storytelling. It's what makes comics special. Otherwise, you're better off reading a novel.
I quit comics because I got completely sick of it. I was drawing comics all the time and didn't have the time or energy to do anything else. That got to me in the end. I never made enough money from comics to be able to take a break and do something else. Now I just can't stand comics. . . . I wish my work would be recognized by a larger crowd of people as more art than be stuck with the cartoonist label for the rest of my life.
If you want a lot of visual humor, the way to do it is have visual people do it.
I enjoy it all: performIng, doing TV, movies, comedy, drama, stand-up, animation voicework, singing, but you get that instant gratification from stand-up because it's your own commentary and you get to see the reaction from the audience that's right there in front of you. I also love coming up with characters and watching people embrace them and enjoy them.
I don't think stand-up is being appreciated as much as it could be and I don't think it has for a long time. There's some great stand-up comics who come to a town and if they're not a name, they don't attract a crowd but in reality there are brilliant people out there.
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