A Quote by Shelby Harris
We think is happening in the brain, the way I like to think about it is, it's almost like, you're brain is going through all these stages of sleep and it's developing in children so fast that it's almost like you're shifting gears in a car. And at some point, you actually stall out a little bit, and that's kind of what happens during a night terror.
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Night terrors are in deep sleep, and they're more common in kids, as are nightmares, but what happens in a night terror is like a flash - we think a flash of some image or something happens in the brain. We don't really quite know what. And it usually ends up with the child screaming almost like screaming bloody murder. It's very scary for the parents or whoever else is around.
Brains don't really smell, but what's amazing about the brain is that it's almost like scrambled eggs or soft tofu, almost like a gel. The brain controls so much of what we do, but you could put your finger right through it.
It's gross. We use real brains - I think they're lamb or cow or something. Intestines smell. Brains don't really smell, but what's amazing about the brain is that it's almost like scrambled eggs or soft tofu, almost like a gel. The brain controls so much of what we do, but you could put your finger right through it.
I'd have to think about it, but I was listening to this Johnny Cash song today that Tom Waits wrote for him - I think that's the story. For some reason it's a thing that sticks in my brain. He's describing this scene where he sees all these almost biblical images happening kind of in this burrow where this biblical train runs through this yard.
With 'Duplicity', I was a little bit like, 'This isn't that hard of a movie.' This isn't like some huge brain trust of a movie. You gotta be a little bit awake to follow the plot, but it's really just a kind of light entertainment. It's like those Cary Grant movies, which are not meant to be anything other than diverting. In a nice way.
Sleep paralysis is something that is actually very common. Many people have it, I've had it myself. And what happens is, when you're in that REM stage of sleep, your brain is very active. You're dreaming your most during that stage, you're mind, your eyes are moving, there's a lot going on. It's like fireworks going on in your brain.
I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
I was deluding myself that the song was almost not important, but I think the real thing that was happening was almost like self-hypnosis or mediation. The guitar lick was the transcendental key that unlocked my brain. It freed me. And then it all became easy. It's funny now, because I've had times when it wasn't easy.
To me, it seems more realistic to my thought process when things feel a little scattered in the lyrics. Being disjointed is not that abstract of a thing when I think about how my brain works - I feel like it's almost more realistic. That's how my brain works.
I think on 'ER,' my other long-running show, I had some ideas about what's going on. 'Stargate Universe,' they were kind of secretive too a little bit about what they wanted to do, but I kind of liked working this way. I like the surprises, and I like knowing just enough to work on the character.
We're physical objects, we think of ourselves as these kind of free-floating brains, but the brain is such a little part. It's way smaller than we like to think. We think we're these important human beings. We're not animals or anything. But what did we come out of? What are we made out of? We're made of the same stuff as out there.
As a bio major, I figured "free will" meant chemicals in your brain telling you what to do, the molecules bouncing around in a way that felt like choosing but was actually the dance of little gears--neurons and hormones bubbling up into decisions like clockwork. You don't use your body; it uses you.
Now, we used to think the brain was like a computer. But now, we realize that's not true. There's no programming of the brain. There's no Windows. And we think the brain is more like a large corporation. Because think of the unconscious mind. In a corporation, you have subdivisions which operate independently of the main office.
I have a problem with sweets. I have an inability to eat a just little bit. It's almost like I can't even enjoy chocolate anymore - I have to stuff it into my brain, cram it into my ears.
Things like rhyming - it just wasn't falling out of my head that way. So I started to get quite freaked out that I just couldn't write anymore. And then I just kind of went with it, and thought that, "This is the way that my brain's working," in a more direct way, then I should just try it like that for this album. And follow it. Just went with the writer's block, almost - it's a strange thing.
I think of the brain as a computational device: It has a bunch of little components that perform calculations on some small aspect of the problem, and another part of the brain has to stitch it all together, like a tapestry or a quilt.
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