A Quote by Shelby Steele

Even the humble black grandmother, who sings in the church choir and struggles to raise a grandchild abandoned to her care, must assert ideological liberalism in order to make others comfortable about her blackness.
A girl must allow others to share the responsibility for care, thus enabling others to care for her. She must learn how to care inways appropriate to her age, her desires, and her needs; she then acts with authenticity. She must be allowed the freedom not to care; she then has access to a wide range of feelings and is able to care more fully.
There're lots of musicians in my family, too. My mother sings incredibly well. I've got to make a record with my mother's voice on it. She sings a lyric soprano. We do the opposite. I'm a baritone. She's a star singer in her church. She always does her solo.
I think her Grandmother Hall gave her a great sense of family love, and reassurance. Her grandmother did love her, like her father, unconditionally. And despite the order and the discipline - and home at certain hours and out at certain hours and reading at certain hours - there was a surprising amount of freedom. Eleanor Roosevelt talks about how the happiest moments of her days were when she would take a book out of the library, which wasn't censored.
I miss my grandmother every day. I miss her vitality, her interest in the lives of others, her courage and determination, her perceptive wisdom, her calm in the face of all difficulties, her steadfast belief in the British people and above all her unstoppable sense of mischievous humour.
My grandmother told me that her father used to ask her a riddle: What must you break apart in order to bring a family close together? Bread, of course.
A lady must retain always her composure. Even in a rainstorm, she must appear joyous and dry. When she loses her composure, then the respect of her peers and her staff will follow in short order.
Combativeness was, I suppose, the dominant trait in my grandmother's nature. An aggressive churchgoer, she was quite without Christian feeling; the mercy of the Lord Jesus had never entered her heart. Her piety was an act of war against Protestant ascendancy. ...The teachings of the Church did not interest her, except as they were a rebuke to others.
I am worried by the Blessed Virgin’s messages to Lucy of Fatima. This persistence of Mary about the dangers which menace the Church is a Divine warning against the suicide of altering the Faith, in Her liturgy, Her theology and Her soulI hear all around me innovators who wish to dismantle the Sacred Chapel, destroy the universal flame of the true Faith of the Church, reject Her ornaments and make Her feel remorse for Her historical past.
Because when an artist has to assert that her intended audience is all humans rather than those who happen to be of her particular gender or race, what she’s actually having to assert is the breadth and depth of her own humanity.
You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
I went to, you know, a church in Chicago, and my mom, of course, was in the choir because my mom was a singer; she used to sing. I wanted to be in the choir as well, and I was like, 'Mom, please, you know, I want to sing in the choir with you guys.' I kept on asking her, and finally I was, you know, in the choir.
I heard a story about a woman who grew up in Texas. When she was having trouble in her life, she would visit her grandmother, who lived nearby and always had a kind word and some wisdom to pass on. One day she was complaining to her grandmother about some situation and her grandmother just turned to her, smiled sadly, and said, "Sometimes, darlin', you've just got to rise above yourself in this life." I've remembered that wise advice many times as I've faced trouble in my life.
With slow care rather than stealth we must approach the subject of a certain woman. Her wildness is of such degree, I fear approaching her too quickly even in a story. Should I move recklessly, I might startle even the idea of her into sudden flight.
What was so moving for [Diane Wilson], and also for me, is that she felt the Bay itself was like her grandmother. She said, "I don't think there's a woman alive who would give up fighting for her child, or her mother, or her grandmother."
[My grandmother] was the assistant pastor at Palma Ceia Baptist Church in Hayward - my grandmother, Evie Goines. And so my mother was doing - I remember when my mother graduated from beauty college, so I was about 5, and so I guess she was about 21. And I just remember being there, taking the pictures and seeing her get her diploma and everything. But she was doing hair for many years. during that time, she kind of started to discover or tap into her religious studies. It was around the time I was starting to go through puberty and hitting, like, 12, 13.
In one way, it is this sense of order and also love that, I think, really saved Eleanor Roosevelt's life. And in her own writing, she's very warm about her grandmother, even though, if you look at contemporary accounts, they're accounts of horror at the Dickensian scene that Tivoli represents: bleak and drear and dark and unhappy. But Eleanor Roosevelt in her own writings is not very unhappy about Tivoli.
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