A Quote by Shelley Fabares

I didn't have a dysfunctional childhood or young adulthood, but I was somebody who was very much raised to do what other people told me to do as a person. — © Shelley Fabares
I didn't have a dysfunctional childhood or young adulthood, but I was somebody who was very much raised to do what other people told me to do as a person.
Childhood, young adulthood is fluid. And it's very easy to get labeled very young and have to carry something through your childhood and into your adulthood that is not necessarily who you are.
There are two types of people who never achieve very much in their lifetimes. One is the person who won't do what he or she is told to do, and the other is the person who does no more than he or she is told to do.
My parents told me in the very beginning as a young child when I raised the question about segregation and racial discrimination, they told me not to get in the way, not to get in trouble, not to make any noise.
For being a young guy, I'm articulate and can hold a decent conversation with somebody. But I've been able to do that since I was young. I don't think that has to do too much with schooling, it has more to do with the people I was raised around, my parents. I have respect for adults.
From such a young age, I was raised and have raised myself on film to such an extent, that it has sometimes bled into my reality. There are times I've felt very Mulholland Drive, where people's dream worlds overlap with each other.
It's like people you see sometimes, and you can't imagine what it would be like to be that person, whether it's somebody in a wheelchair or somebody who can't talk. Only, I know that I'm that person to other people, maybe to every single person in that whole auditorium. To me, though, I'm just me. An ordinary kid.
I’m too young and ridiculous a person to speak for my generation, but I’d be happy to talk about my own experiences as a generation Y writer. I was raised by a generation of hippies. Throughout my childhood, teachers urged me to fight the establishment. My English teacher assigned Ginsberg and Kerouac and declared Bob Dylan “a genius.” My science teacher told me that television was “the new opiate of the masses” and bragged about never having owned one. My drama teacher made us perform Beckett.
The thing that strikes me now when I think about the Wilderness of Childhood is the incredible degree of freedom my parents gave me to adventure there. A very grave, very significant shift in our idea of childhood has occurred since then. The Wilderness of Childhood is gone; the days of adventure are past. The land ruled by children, to which a kid might exile himself for at least some portion of every day from the neighboring kingdom of adulthood, has in large part been taken over, co-opted, colonized, and finally absorbed by the neighbors.
I wish when I was 17, somebody had told me not to care so much about what other people had thought.
In fact I spent a lot of time in my childhood trying to figure out what other people wanted of me. That made me study other people very much. Then I actually started university and I got quite bored. This is when I found out I wanted to be an actor.
I told the people before they tortured me, please, don't torture me. I didn't do anything. They say, we have to torture you very much. Then when they tortured me, I told them everything they want to hear. I signed confession. That said, the ball was in their court. You know, I very much surrender to my lot.
Jesus Christ - He means the world to me. So many different situations I've been through, through my childhood and now my adulthood; I lost my brother at a young age. He got hit by a car right in front of me. I had to be strong for my mom.
I think being raised within a Mexican Catholic family made magical realism a very natural part of who I am as a person and as a writer. My parents always told us great stories that often had magical elements and roots within Mexican folklore. Also, I remember my father reading a book to me, when I was very young, about the lives of saints. Those were crazy scary stories! Maybe he was trying to scare me into being a good person. In the end, magical realism offers me untethered freedom to explore human frailty and the way we clumsily cobble together our lives on this strange planet.
I was brought up by my mother and my two sisters, although they're older than me and fled the nest very young, so I was technically raised as an only child, but I was very much loved.
I had a very dysfunctional family, and a very hard childhood. So I made a world out of words. And it was my salvation.
I came from a dysfunctional family - very dysfunctional. And my father used to find great humor in throwing me down the stairs.
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