A Quote by Shelley Long
I don't get bothered about statistics. If somebody had pointed out to me the odds of my being a working actress getting paid for what she does, I probably would have quit early in the game.
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It's getting harder as I get more known. Even though it's my break, I couldn't really go out and get drunk - because people expect you to be training and getting up early. But I'm not bothered about missing out on normal teenage things.
People love to say we get paid a lot of money to play a game, but it stopped being a game when you start getting paid.
We had four guys in the family, so somebody was always hitting somebody or chasing somebody or getting mad or fighting or wrestling - that was just what you did. So when you're the youngest, it's good for you. You figure out real early how to get out of headlocks and holds.
"I was just like a pathological liar when I was a kid. I think I just wanted to one-up somebody. Somebody would be like, 'Oh, God, my legs hurt.' I'd be like, 'Your legs hurt? I'm getting mine amputated next week.' And that's actually how my mother found out. She came to school and somebody was like, 'God, that's such a shame about Jennifer's legs.' She made me purge. I had to spill out all of my lies. I was like, 'I said that Dad drove a barge, and we were millionaires, and you were pregnant, I had to get my legs amputated, and I spayed cats and dogs on the weekends.' Now I can't lie.
Sometimes a guy is going to get you here and there, you compete. He is getting paid just like you're getting paid, and he is a competitor just like you are. But if a guy can just stop me a whole game by himself, and I can't do nothing about it or I'm fatiguing or I'm not strong throughout the whole game, then it's time for me to hang them up.
Most of the actors that I've had the pleasure to work with are very easy to get along with. And whether they're getting paid or not getting paid doesn't necessarily make a difference. Most people are easy to work with and easy to get along with, but we mostly hear about the assholes who are really a pain in the ass, and we've all had our share of working with them.
Marilyn always dreamt of being an actress. She didn't, by the way, dream of being just a star. She dreamt of being an actress. And she had always lived somehow with that dream. And that is why, despite the fact that she became one of the most unusual and outstanding stars of all time, she herself was never satisfied. When she came to New York, she began to perceive the possibilities of really accomplishing her dream, of being an actress.
I've hit a point where my big luxury is getting to work on the things I want to work on. That's my hobby. It's being able to do a movie like 'Chef,' where you don't get paid, where you get paid scale, but you get to do exactly the movie you want to do. To me, that's worth more to me than whatever money I would have gotten paid.
I feel pretty used by the music industry, in that my contracts are written in such a way that I don't get paid. And that makes me wanna quit working for whoever thinks it is that I work for them. But I've clearly got a job that I can't quit.
When I then went to Welling I had to think about the possibility of getting another job outside of football. If that hadn't worked out then I would probably have joined the family building firm, working as a ‘brickie’ or something like that. It is a big leap to be playing in the Champions League final - the biggest game of my career - but after what I've been through to get here, it holds no fears for me.
You’re early.” I give him a mutinous look. Of course he thinks my being early is about him. It’s not. Mac was at Chester’s last night at eight. I think she’s hunting me. Since I can’t be late to avoid her, I have to be early. “Watch broke. Thought I was on time.” “You don’t wear a watch.” “See? I knew I had a problem. I’ll just dash out and get one. Be back tomorrow. On time.
Whenever I visit Korea she [Kang] buys me lunch and takes me to a gallery. As if all this wasn't enough, she has incredible respect for translation as a creative, artistic practice - she insists that each English version is 'our book', offered to share her fees with me when she found out I wasn't getting paid for translating her publicity stuff, always asks the editor to credit me, and does so herself whenever she's interviewed. Too good to be true.
As long as the rent's getting paid, you don't think about getting out of the game.
My mother always helped me because she was kind of a research fanatic. When she would write a screenplay, there would be so much research all over the walls. And so when I started working as an actress, I would do the same thing. She instilled in me a love of taking everything very seriously. It didn't matter what it was.
I had some years of definite frustration. Auditioning and not working as much as I would have liked to, or working and being paid a pittance, and sort of scrounging by in New York and sleeping on a chair that folded out into a bed.
A lot of times, I was about to get a role, but then somebody called. The father or mother would call and a starlet would get it. If somebody is with someone and the heroine is his muse or girlfriend, then she would get the role. All this has happened to me.
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