A Quote by Shelley Winters

sometimes in comedy you can make the audience feel poignancy stronger than you can with tears or anguish. — © Shelley Winters
sometimes in comedy you can make the audience feel poignancy stronger than you can with tears or anguish.
Sometimes there are more tears than laughter, and sometimes there is more laughter than tears, and sometimes you feel so choked you can neither weep nor laugh. For tears and laughter there will always be so long as there is human life. When our tear wells have run dry and the voice of laughter is silenced, the world will be truly dead.
I remember doing a lot of comedy. I always loved that feeling when you do something on stage and you can feel the vibe of the audience turn, and they start laughing. It's how you know something's not right, and how to fix it, or how to make the moment stronger or funnier.
There's really no question that there is an anguish associated with the inability to marry in this life. We feel for someone that has that anguish. I feel for somebody that has that anguish. But it's not limited to someone who has same-gender attraction.
I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.
I feel like sometimes I get even more goofy onstage than I am offstage. I'm not trying to make the music less than what it is. Even if it's hard for me and I have to think about a lot of details, it's none of the audience's business. I don't want them to feel that I'm having a hard time.
In concert, I often try to feel the audience and feel their way of hearing. If I feel that there is no contact between the audience and the music, I try to look stronger within myself, hoping that this will lead to a better contact.
There's nothing more dramatic than the comedy I've done. Because the comedy I've done is to get to the audience, get them to feel it, or they won't laugh.
I give the character a history and a full life; this way the tears come naturally for the character in whatever situation calls for tears. Also, sometimes a certain song will help me feel emotions that evoke tears.
Goodness is stronger than evil. Love is stronger than hate. Light is stronger than darkness. Life is stronger than death. Victory is ours through Him who loved us.
If the audience is responding very well to comedians that are hacks, and I don't do well, I don't feel as bad, because I feel like their taste is different than mine. They're laughing at somebody I would never laugh at, so that makes it okay, because obviously our tastes are not in the same place. And comedy is subjective, so I feel like maybe the failure wasn't all mine. I don't think they ever would have really enjoyed me. So sometimes that's a little easier, but not much.
Sometimes I feel like crying, tears of happiness, tears of joy, to see the distance we've come and the progress we've made.
Comedy can be more difficult than drama. It requires more attention to timing. In the theater, you're always dependent on the audience for the energy, but in comedy the feedback you get is more important. You can judge by the quickness and the length of the laugh just where you stand with the audience.
A beautiful word in the middle of a sentence can sometimes reduce me to tears in an interview, and when I'm reading, too. I've sometimes wondered whether I'm at the point of tears all the time because I use my eyes so much that they're strained and on the verge of tears anyway.
War is like a game of chess ... but with this little difference, that in chess you may think over each move as long as you please and are not limited for time, and with this difference too, that a knight is always stronger than a pawn, and two pawns are always stronger than one, while in war a battalion is sometimes stronger than a division and sometimes weaker than a company. The relative strength of bodies of troops can never be known to anyone.... Success never depends, and never will depend, on position, or equipment, or even on numbers, and least of all on position.
It is proper to ask for sorrow with Christ in sorrow, anguish with Christ in anguish, tears and deep grief because of the great affliction Christ endures for me.
Sometimes I feel really bad for the audience. I don't know how to make them happy. And you just feel drained cause you're trying everything possible to turn things around. And sometimes it is possible to turn things around on stage, and I've done it before, but sometimes it's impossible.
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