A Quote by Shelley Winters

Acting is the developing of one's own personality, too, you know. That's what the public buys in a star, shall we say, the personality thing. — © Shelley Winters
Acting is the developing of one's own personality, too, you know. That's what the public buys in a star, shall we say, the personality thing.
I decided a long time ago I didn't want to be a star personality and live my life out in public. I don't think it's a good idea to wave personality about like a flag and become labeled.
I became an actor to escape my own personality. Acting is the most therapeutic thing in the world. You see, through acting you come full circle in your personality and, oh, what a grand time you can have along the way being wonderful people through your characters...I think all the courage that I may lack personally I have as an actor.
I kind of keep my personality in my pocket a lot. When I start to do stand-up, that's not my true personality either. It's the personality of a guy who hasn't been able to say what he wanted to say.
I would say that I have an aspect of my personality which is that I have no personality. That's why I work as an agent. I have the assumed personality of the people I represent. I am like a sponge.
The invention of IQ did a great disservice to creativity in education. ... Individuality, personality, originality, are too precious to be meddled with by amateur psychiatrists whose patterns for a "wholesome personality" are inevitably their own.
When I was younger I had a gut feeling that I was going to use my personality in some way, but I didn't know how. But I always had an outgoing personality. That was the one thing that I was known for.
I find with television, you have to play personality, whereas onstage, everyone talks about 'the character,' and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.
I find with television, you have to play personality, whereas onstage, everyone talks about "the character," and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.
That's the thing about writing for a lot of the villains is that, as a writer, you kind of have to put the best part of your own personality aside and instead focus on whatever little strange quirks you may have in your personality.
If in addition to being physically unattractive you find that you do not get along well with others, do not under any circumstances attempt to alleviate this situation by developing an interesting personality. An interesting personality, is, in an adult, insufferable. In a teenager it is frequently punishable by law.
Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.
I think in the end, when you're famous, people like to narrow you down to a few personality traits. I think I've just become this ambitious, say-whatever's-on-her-mind, intimidating person. And that's part of my personality, but it's certainly not anywhere near the whole thing.
I have a, shall we say, morbid personality.
The most durable thing in writing is style. It is a projection of personality and you have to have a personality before you can project it. It is the product of emotion and perception.
Being a personality is not the same thing as having a personality.
Fashion is not style. Nay, we can say more: Fashion is instead of style. Style is an idiom springing spontaneously from the personality but deliberately maintained. If you have no personality, you may be able to save your face and, possibly, your entire anatomy by following the current fashion, but all we shall know about you, when we see you coming down the street, is that you had enough money to buy a glossy magazine and were sufficiently cunning to work out the cut of the garments shown therein.
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