A Quote by Shelly-Ann Fraser-Pryce

Thinking about what Jamaicans want is a bit pressuring. So I try not to think about what Jamaicans want until I get the job done. — © Shelly-Ann Fraser-Pryce
Thinking about what Jamaicans want is a bit pressuring. So I try not to think about what Jamaicans want until I get the job done.
Well, what's interesting, I try not to think about the radio when I'm writing a song. I want people to love the song, and that means it might not be exactly thinking about the radio, but it's thinking about your audience and saying, 'I want people to like this song after it's done.'
We Jamaicans are not so much stressed about time, you know, but you have to stay on top of it. And, of course, on the track, every time we go on the track, it is all about the seconds and the fractions of a second that count.
I don't really know anything about my dad. I don't really know too much about his background. He's Jamaican and Jamaicans are usually more athletic. You've seen Usain Bolt.
It's funny, I talk to some of my friends and they don't want to to get a job at Starbucks. They don't want to get a job at, wherever, because they feel like it's below them. And I think the only thing that can be below you is to not have a job. Go work until you can get the job that you want to have.
I think the Jamaicans are among the most talented people on the planet; it's just that through circumstances, through poverty, they rarely get the chance to bring those talents to the fore.
You do get a chance to think about things when you're at home, but that is when you want to relax and forget about football for a bit. Honestly, you don't really get time to stop and think about things. We have a job to do. That is all we concentrate on, going game by game.
Onstage, I don't want to be thinking about my outfit, I want to think about what I'm doing, so I'll try to dress as comfortably as possible.
As Jamaicans, we're very resilient and strong-willed people.
What is the art experience about? Really, I'm not interested in making Art at all. I never, ever, think about it. To say the word Art, it's almost like a curse on art. I do know that I want to try to get closer to myself. The older I get, the more indications I have about what it is to get closer to yourself. You try less hard. I just want to be.
I've known for years that you're supposed to be present. I know that thinking about what's happened or thinking about what I want is not going to get me anywhere, but until I quit doing it I'm not present.
You get what you think about, whether you want it or not. Commit to thinking about what you want, rather than how impossible or difficult that dream may seem.
I try to get in people's heads. My job is to get the ball, so if I'm talking trash to an O-lineman or quarterback or receiver, and they start thinking about me, that's good, because they aren't thinking about the game anymore.
My first policy move would be to try to get a conversation going in the US about what people stand for and what we really want. Do we want to keep adding people to the world and to our country until we move to a battery-chicken kind of existence and then collapse? Or do we want to think hard about what really is valuable to us, and figure out how many people we can supply that to sustainably?
What we're thinking about is a peaceful planet. We're not thinking about anything else. We're not thinking about any kind of power. We're not thinking about any kind of struggles. We're not thinking about revolution or war or any of that. That's not what we want. Nobody wants to get hurt. Nobody wants to hurt anybody. We would all like to be able to live an uncluttered life. A simple life, a good life. And think about moving the whole human race ahead a step, or a few steps.
I wasn't thinking about my pension plan until about two years ago. When I was in my twenties, the idea that you'd be thinking of taking a job based on its health-care policy was completely foreign. But these days young people are thinking about these things.
I want the look of a movie to be secondary. I really want people to be engaged in the story and the characters and not think about a style or think about me or think about the director of photography and what a great job he's doing. I never feel like that should be there.
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