A Quote by Shelly-Ann Fraser-Pryce
For training, you know what works and what doesn't work. And you know where you fall short and you need to pick up, so I'm not worried about the age factor.
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You need to know what doesn't work to know what works. It's especially true in improv and stand-up.
I don't like realism. We already know the real facts about li[fe], most of the basic facts. I'm not interested in repeating what we already know. We know about sex, about violence, about murder, about war. All these things, by the time we're 18, we're up to here. From there on we need interpreters. We need poets. We need philosophers. We need theologians, who take the same basic facts and work with them and help us make do with those facts. Facts alone are not enough. It's interpretation.
When I get in there, I'm not really worried about scoring. I'm just worried about playing as hard defense as I can play, making my opponent work, and then I know the offensive end will open up for me. I've been a scorer all my life, so that's what I try to pride myself on. It feels good.
I know that as a young player I need to work hard for the team, work extra in training and in the game as well so that they will see that you need more games and you need to play.
Making movie you just think, well, you know what you're gonna do, and you just when it comes down to the very specifics of it, you kind of have to rely on your mode of panic, and how well your imagination and creativity and all that works when you're in that moment. And you know, frankly, I never worried about that. I never worried that as we moved into the very specifics of it.
We all need God in certain ways, you know. And I certainly fall short in a lot of categories. And it's at those times that I need much more help than most.
I know worrying works, because none of the stuff I worried about ever happened.
I have a feeling that you're riding for some kind of a terrible, terrible fall. But I don't honestly know what kind.... It may be the kind where, at the age of thirty, you sit in some bar hating everybody who comes in looking as if he might have played football in college. Then again, you may pick up just enough education to hate people who say, 'It's a secret between he and I.' Or you may end up in some business office, throwing paper clips at the nearest stenographer. I just don't know.
We need to fall, and we need to be aware of it; for if we did not fall, we should not know how weak and wretched we are of ourselves, nor should we know our Maker's marvellous love so fully.
The downside of being a celebrity is that people kind of know about you, and you really don't need them to know about you - you need them to know about your work.
I know that sometimes when you are really worried about something, it ends up not being nearly as bad as you think it will be, and you get to be relieved that you were just being silly, worrying so much over nothing. But sometimes it is just the opposite. It can happen that whatever you are worried about will be even worse than you could have possibly imagined, and you find that you were right to be worried, and even that, maybe, you weren't worried enough.
I know every part of their lives. I know about their animals; if they've got a dog, I know its name. My players love their dogs. I know about their partners; I know if they go to the cinema - it's the detail you need to be successful. If they have an ice cream, I know about it.
I know that many Danes are worried about the future. Worried about jobs, about open borders. About whether we can find a balance in immigration policy.
To be successful, it is imperative that you not only know the organizations you work with, but more specifically, you have to know the actual people you work with within these organizations, understand what their personal goals and motivations are. In short, to be successful, you need to humanize your clients.
well, i don't know about you but I'm going to try everything! War, women, travel, marriage, children, the works. [...]. I want to know about things, what makes them work!
In America, when I first came here, they were used to wearing more make-up - thicker foundation, more Max Factor, that sort of thing. But you have to know who you are and what you look like: if you know yourself a little bit, you don't need to follow trends.
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