A Quote by Shemar Moore
For me to bring a character to life, you've got to be able to find your own truth.
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I'm not saying that I am all of my characters, but for me to bring a character to life, you've got to be able to find your own truth.
The secret to being successful is to find a way to bring yourself through, even in your stories. People are looking for the essence of your truth. When you can bring your own truth to it, that's when it works.
I try to give each performance my own soul, to bring a truth to my character. Hopefully, when I bring that much truth to a character, it resonates with somebody, and it sparks some kind of emotion in them.
You want to try and bring a character to life in an honest a way as you possibly can. It doesn't matter whether he's a doctor, an actor, a car salesman or a captain of a starship. If you can bring truth and honesty to that character, then your audience will believe you.
To me to be a storyteller is you got to be able to speak the truth. You've got to be able to absorb life and take in life and be able to interpret it in a way that anybody in this room could say, "Man, that's my story. I can relate to that."
On 'Think Like a Man,' they got the best out of me because they allowed me to bring my own cadences and opinions to the character that I was playing. I think we got the best of that particular character.
Nietzsche was the one who did the job for me. At a certain moment in his life, the idea came to him of what he called "the love of your fate." Whatever your fate is, whatever the hell happens, you say, "This is what I need." It may look like a wreck, but go at it as though it were an opportunity, a challenge. If you bring love to that moment-not discouragement-you will find the strength is there. Any disaster you can survive is an improvement in your character, your stature, and your life. What a privilege! This is when the spontaneity of your own nature will have a chance to flow.
I find that comedy is my specialty, but drama is slowly starting to move up in that rank. I've always liked playing a character that has depth and that I'm able to bring my own niche to.
One of the things you'll discover... as you listen to your own soul is that you spend a great amount of your life trying to bring meaning to your own life. And, by the way, most people are not going to church, so the place they're actually trying to find meaning in their life is at work.
And if you can find out something about the laws of your own growth and vision as well as those of photography you may be able to relate the two, create an object that has a life of its own, which transcends craftsmanship. That is a long road, and because it must be your own road nobody can teach it to you or find it for you. There are no shortcuts, no rules.
If you never fall in love with your character, you'll never be able to do that character justice. No matter who it is, no matter what the character does, you have to find the reason for it. Everyone's got a reason for what they do, even if it's a reason that they're not proud of.
When I go into making a movie, personally, I don't try to bring other pieces of movies with me. I think that finding a character, relating to her and making her as real as possible means forgetting all of that stuff and just trying to find the truth, in that particular character's words.
I guess, as an actor, you have to bring something personal to the character - you've got to identify and love one element of the character, or else you can't really inhabit and find ownership.
I feel like I express myself, as an actor. Whatever the character is put in front of me, I try to bring truth to it, whichever way it lands. I try to bring as much truth to it and make it as believable as I can. I think that's the job of an actor.
I find that if I hold your hand, it transfers an energy first. I have a sense of how you feel. That's important to me trying to become another person. I have a lot pressure to bring a character to life in any kind of real sense.
The less you offer, the more readers are forced to bring the world to life with their own visual imaginings. I personally hate an illustration of a character on a jacket of a book. I never want to have someone show me what the character really looks like - or what some artist has decided the character really looks like - because it always looks wrong to me. I realize that I prefer to kind of meet the text halfway and offer a lot of visual collaborations from my own imaginative response to the sentences.
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