A Quote by Shemar Moore
That's because I didn't have to work with Madea. I only had to work with Madea once, and that was at the barbecue and I didn't have to get close to her.
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'Madea' is a Southern term. It's short for 'mother dear.' So there are a lot of Madeas out there.
People really love 'Madea' movies and get a kick out of them. They're phenomenally successful. People get excited when a new one's coming out.
Madea is a cross between my mother and my aunt. She's the type of grandmother that was on every corner when I was growing up.
What I've been able to do with my character, Madea, and the other characters, with the jokes, is use it as an anesthetic to get to the heart and soul of real issues. And what I've found on stage over the years is that, while making people laugh, I can drop in pearls of wisdom.
Tyler Perry's 'Madea Goes to Jail!' Which, I have to tell you, of everything that I've ever done in my career, that's the only thing that's perked up the ears of my nieces and nephews. That is it, that's done it for them. That made me a bona fide star in their eyes!
To beat Shevchenko, you'd have to close the distance and work with strikes close to the cage to take away her energy, her strength, and work with the ground and pound or something like that.
Ellen [Page] and I had only met a couple of times, but had mutual admiration for each other's work. When I first heard about the film [Into the Forest], I was excited to get a chance to work with one of my peers because it's usually one or the other. You don't get to work with all of the other actors that you're usually competing with.
When I moved to New York out of college, that was my goal. To be a stage actress. And to do dramatic works. Like 'Madea', and 'Night, Mother', and 'Sam Shepard', and all that kind of stuff. That's what I really wanted to do.
When I moved to New York out of college, that was my goal. To be a stage actress. And to do dramatic works. Like Madea, and Night, Mother, and Sam Shepard, and all that kind of stuff. Thats what I really wanted to do.
It's seldom that you get to work with one director more than once. I've worked with Clint Eastwood three times, but that's the only one that's happened with, simply because I adore his work.
I always feel when you work with an artist and whenever I work with a really good photographer, I try to give him or her their own artistic freedom because that's the way you get the best work or at least the most interesting work.
I don't just do a movie to do a movie. Of course I want to amuse people, but some of Madea's greatest moments are when she gets to talk about child rearing and bullying and all kinds of things like that.
When it came to dancing and acting at school, my sister was the talented one. To get even close to her, I had to work incredibly hard.
I'm attracted to artists like Frida Kahlo, because her work was her life, her questions, her outrage, her suffering, her pain. Everything is in her work.
Her work, I really think her work is finding what her real work is and doing it, her work, her own work, her being human, her being in the world.
If anything’s going on in our lives, we have each other. One time, I was having a bad day, and I called Chris Colfer. He came over with a pint of ice cream and Madea Goes to Jail, and it was, like, the best night of my life.
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