A Quote by Shemar Moore

Orlando's a part of me. The next guy's a part of me. And the next guy's a part of me. That's all I'm trying to do, is tell cool stories that people can relate to. — © Shemar Moore
Orlando's a part of me. The next guy's a part of me. And the next guy's a part of me. That's all I'm trying to do, is tell cool stories that people can relate to.
The interesting part of the process is developing the character, you know, why did he become that? Why is the guy a murderer, or why is this guy a pervert, or whatever he is. So that's the fun part for me to delve into the abyss.
I'd read the book and liked the book, but it made me really uncomfortable trying to picture myself in this part. Here's this guy who seems to be the embodiment of every single perfect guy.
I always keep a small timer next to me to tell me how many seconds I have to wash each part of my face.
What drew me to Batman in the first place was Bruce Wayne's story, and that he's a real character whose story begins in childhood. He's not a fully formed character like James Bond, so what we're doing is following the journey of this guy from a child who goes through this horrible experience of becoming this extraordinary character. That, for me, became a three-part story. And obviously the third part becomes the ending of the guy's story.
I had one guy pretend to be me, go to a hotel room, and tell the people at the front desk that it was me, and then he went in and stole all of our luggage. There's always that eager beaver that wants to be a part of the team and comes off as a sticky fly.
Society tells me to follow my own truth, but I don't let society tell me what to do. If you need someone to tell you that, chances are you're part of the crowd that will move on to the next fashion that comes around.
When I choose a role, what I'm looking for is the ability is to tell our stories. Me being a black woman, that's just a given. It's going to be a part of any role I do, making sure I tell it truthfully and nuanced and in a way that many people can relate to.
I'll tell you what. I've been in combat. I've seen it, I've been close to it... and if my unit is danger, and I've got a captured guy, and the guy knows where the enemy is, and I'm looking him in the eye, the guy better tell me. That's all I'm gonna tell you. The guy better tell me. If it's life or death, he's going first.
I try to explain to people that you get the roles that are right when they're right. If you have a nerd character but you're kind of a cool guy, you're probably not going to get the nerd part. The nerd is going to get the nerd part. You know, someone like me.
There's a part of me that wants to go streak and run outside and jump around and go swim in the ocean and do everything. The other part of me wants to bear down and repeat this kind of performance next year and in the years to come.
It's barely OK for me to be dressed up as a black guy. But part of me kind of enjoys provoking people.
I asked, 'What is this guy?' They said, he's part-fish, part-bird, maybe a bit of lizard, and you don't have to go through five hours of makeup to play him. That was good enough for me.
But a part of me lies buried in lace and roses on a riverbank in France-a part of me is broken off forever. A part of me will be unflyable, stuck in the climb.
Pain is part of how I get inspiration and part of how I gain wisdom on life. I guess the point I'm trying to make is that I don't transform it, I just let it be. I kind of let it move through me, let it consume me and I let it take me over and hurt me, and I let it go away when it's ready to go away and I understand that it's just part of the process.
For me, the lame part of the Sixties was the political part, the social part. The real part was the spiritual part.
I can be a guy's guy and go to a game. But at the end of the night, I can still get dressed up for a date. There are a million different personalities that are part of me.
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