A Quote by Shenaz Treasury

In college, they taught us to think of a bad smell or simulate a bad taste to start crying. I just think of my ex-boyfriend! — © Shenaz Treasury
In college, they taught us to think of a bad smell or simulate a bad taste to start crying. I just think of my ex-boyfriend!
To me, bad taste is what entertainment is all about. If someone vomits while watching one of my films, it's like getting a standing ovation. But one must remember that there is such a thing as good bad taste and bad bad taste.
A little bad taste is like a nice splash of paprika. We all need a splash of bad taste-it's hearty, it's healthy, it's physical. I think we could use more of it. No taste is what I'm against.
There's not enough bad taste! I LOVE bad taste! I live for bad taste! I am the spokesman for bad taste!
I think that when you are accused of being in bad taste it can be quite positive. You're challenging the notions of polite society. I'd like to put across the notion that bad taste is actually good for you.
I think comedy directors tend to feel a need to justify the bad behavior, and I just never think that. I like bad behavior, I've always liked bad behavior, I'm a fan of bad behavior, and I don't think you have to justify bad behavior.
I believe that you have a boyfriend for certain times of your life, and I think the boyfriend who is your most beautiful first boyfriend is not the boyfriend that you're with in college, and your college boyfriend is not your first boyfriend!
I am very interested in what has been called bad taste. I believe the fear of displaying a soi-disant bad taste stops us from venturing into special cultural zones.
Every book has to start with a first chapter, and I think that 'Middle of Nowhere,' 'Mmmbop' and 'Where Is the Love' are good places to start for us. I don't think it's a bad place.
People think bigger movies are bad, and that's just not true - there's bad big films, and there's bad little ones. The bad big ones have to make their money back, so they'll push them down your throat, but the little ones just disappear if they're bad.
One is born with good taste. It's very hard to acquire. You can acquire the patina of taste. But what Elsie Mendl had was something else that's particularly American––an appreciation of vulgarity. Vulgarity is a very important ingredient in life. I'm a great believer in vulgarity––if it's got vitality. A little bad taste is like a nice splash of paprika. We all need a splash of bad taste––it's hearty, it's healthy, it's physical. I think we could use more of it. No taste is what I'm against.
You have to want to have taste. Some people have inherently bad taste. Their problem is really not the bad taste -- that can be fixed -- but that they don't know they have it!
In college, I had bad hair, bad clothes, bad teeth, and bad skin. That was not a great combination for being a sports announcer.
Often something that is in bad taste or considered to be in bad taste is something that's just very true but that people are unwilling to discuss or comment on.
In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.
When you think of blues, all you think about is crying guitar like B.B. King's guitar. You think about someone crying that their woman's gone. And how bad life is and all that. Why can't it be something happy with the blues? Why can't it have a hip-hop beat to which you can do the dances of today?
If you get a bad script, then you start expending energy trying to make a silk purse of a sow's ear. When the script's as good as those on 'Game of Thrones,' say, I don't think there was a single occasion where any of us thought there was a bad scene.
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