A Quote by Shenaz Treasury

The pictures I take are not regular selfies. I give people a sneak peek into culture and lifestyles and experiences from around the world. — © Shenaz Treasury
The pictures I take are not regular selfies. I give people a sneak peek into culture and lifestyles and experiences from around the world.
I think fame and all that madness, people taking your pictures all the time, drives me insane. It's a catch 22...the more they take pictures of you, the more upset you get by it and the more crazy you look and the more pictures they take of you. I think it's disgusting what's happened with that kind of celebrity culture right now.
Without these people who want selfies? People pay decent money to come and watch you. It doesn't hurt to take time out, and give back.
If you look at this generation of selfies and selfies and selfies, it seems a little bit scary. I like to see a driven kid, somebody who wants to come from the ground up.
If you're going to help somebody, sneak in, sneak out, do what you can. I just sneak along and do my thing and meet wonderful people, some people I've never met, new friends.
The culture of chefs is a melting pot, and I always say this - if we could put all the heads of state around a table, each representing their food culture, and then each take one bite of the other's and pass it to the right, and then explain the ideals and culture around those bites, our world problems would be easier to solve.
I confess I sometimes sneak a peek at 'The Big Bang Theory.' I chuckle at their antics. But I cringe when they portray physicists as clueless nerds who are doormats when it comes to picking up women.
It's cool when people know you more, but I like people to treat me regular when they see me. I take pictures. I don't really be big on people looking at me.
We have to give people the freedom to choose lifestyles and material satisfactions that suit their needs, and we have to redefine need itself. We can't redefine need among ghetto people by telling them we should all give up our TV sets or automobiles: we have to tell them there's enough to go around, now let's talk about using it sensibly.
I got a sneak peek into the functioning of the film industries of the south through Telugu cinema. This industry has helped me understand how to adapt to various styles of filmmaking. It's been liberating.
People have come to me over the years and said to me: 'I admire the culture of Starbucks. Can you come give a speech and help us turn our culture around?' I wish it were that easy. Turning a culture around is very difficult to do because it's based on a series of many, many decisions, and the organization is framed by those decisions.
Sometimes Chris wished he could sneak a peek at the back of the book, so to speak, and see how it was all going to turn out, so that he wouldn't have to bother going through the motions.
When you're two, three, four years old, it's not really modelling. You run around, and they give you toys in a fun place, and they take pictures of you playing.
Dates are hard to remember because they consist of figures; figures are monotonously unstriking in appearance, and they don't take hold, they form no pictures, and so they give the eye no chance to help. Pictures are the thing. Pictures can make dates stick.
What I want is the world to remember the problems and the people I photograph. What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this. I don't want people to look at them and appreciate the light and the palate of tones. I want them to look inside and see what the pictures represent, and the kind of people I photograph.
I'm pretty solitary when I take pictures. Even when I take pictures of people, I just go about my own way of doing it.
When the people sat around on the porch and passed around the pictures of their thoughts for the others to look at and see, it was nice. The fact that the thought pictures were always crayon enlargements of life made it even nicer to listen to.
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