A Quote by Shepard Fairey

Art making comes from the human desire to share something that is universal in one sense, but unique to your sensibility in another. I think that, wherever you are in the world, that impulse exists within human beings.
People do not believe that there is something like Sahaja Yoga, that there is a power in every human being which is universal and which can be enlightened. It is something beyond the conception of human beings that they can achieve this kind of a spiritual growth within themselves.
My thesis is that morality exists outside the human mind in the sense of being not just a trait of individual humans, but a human trait; that is, a human universal.
I think that music and art and film, at their best, can connect with something that is eternal in human beings, that might not have so many labels on it, something that's ultimately universal and that may just be a feeling.
And people who believe in God think God has put human beings on earth because they think human beings are the best animal, but human beings are just an animal and they will evolve into another animal, and that animal will be cleverer and it will put human beings into a zoo, like we put chimpanzees and gorillas into a zoo. Or human beings will all catch a disease and die out or they will make too much pollution and kill themselves, and then there will only be insects in the world and they will be the best animal.
The duty of the artist is not to be calculating in any sense, so that he may be free himself of human emotions while carried by the universal forces of life. Only then does one not think about making art, or about styles, or directions. Something comes about, something happens.
I think that as human beings, we quite naturally take for granted what is similar among human beings and, then, pay attention to what differentiates us. That makes perfect sense for us as human beings.
I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being.
The real tragedy is that we're all human beings, and human beings have a sense of dignity. Any domination by one human over another leads to a loss of some part of his dignity. Is one's dignity that big it can be crumbled away like that?
It is my fundamental belief that all human beings share the same basic aspirations: that we all want hapiness and that we all share suffering. Asians, just like Americans, Europeans, and the rest of the world, share a desire to live life to its fullest, to better ourselves and the lives of our loved ones.
The problems we face today, violent conflicts, destruction of nature, poverty, hunger, and so on, are human-created problems which can be resolved through human effort, understanding and the development of a sense of brotherhood and sisterhood. We need to cultivate a universal responsibility for one another and the planet we share.
In a sense, human beings are human beings. Their feelings of aloneness, of brokenness, their feelings of hurt and disappointment, are universal. It's the ways they choose to act on their feelings that separates them.
Art arises in those strange complexities of action that are called human beings. It is a kind of human behavior. As such it is not magic, except as human beings are magical. Nor is it concerned in absolutes, eternities, "forms," beyond those that may reside in the context of the human being and be subject to his vicissitudes. Art is not an inner state of consciousness, whatever that may mean. Neither is it essentially a supreme form of communication. Art is human behavior, and its values are contained in human behavior.
I think that there is a middle-class desire, and maybe an almost universal desire, among many human beings to live in clean neighborhoods, among people like themselves, around people with whom they feel comfortable. That can be exclusive, it could be exclusionary. It could be racist, classist, genocidal, and so on. Most people like comfort. Now what provides a sense of comfort varies. I do think that people who like living in cities like small-scale human interaction and they like the social dimensions of aesthetic diversity that Jane Jacobs wrote about.
In film, there are two ways of including human beings. One is depicting human beings. Another is to create a film form which, in itself, has all the qualities of being human: tenderness, observation, fear, relaxation, the sense of stepping into the world and pulling back, expansion, contraction, changing, softening, tenderness of heart. The first is a form of theater and the latter is a form of poetry.
The philosophical underpinnings of my approach to acting are that there are universal human qualities, and that every character is actually available within each one of us, that if we tap down into that universal humanness, we can find whatever character it is that we need to play already there within ourselves, and it's just a matter of peeling apart the onion that is you and finding that character within you, because of this universal human quality.
Science is not something that exists apart from human beings. It's one of the things we do as human beings, and we always have done science and technology in some form.
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