A Quote by Shepard Fairey
I try to make my clothing line an entry point for discovering the substance of the rest of my work.
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My workouts have inspired me to make an activewear line because it's so difficult to find supportive clothing and clothing that's cute and actually inspires you to get up.
Substance is enduring, form is ephemeral. Failure to distinguish clearly between the two is ruinous. Success follows those adept at preserving the substance of the past by clothing it in the forms of the future. Preserve substance; modify form; know the difference.
I'm doing a lot of parenting work and acting as a spokesperson. I have a clothing line and a line of toys.
Zero-hours contracts offer an entry point for people who are either new to the workforce or have commitments that make it hard to work full-time.
By the time I got to the point where I was 'starring' in movies, and I had executives telling me what lines to say, that wasn't for me. I'm really not an actor. I'm a guy who comes out of comedy, and my impetus was always to rewrite the line to make it funnier, not to try to make somebody's precious words work.
I couldn't be working in a bank and launch a clothing line. It's only because cinema gave me a lot of access that I have been able to launch a clothing line.
In Paris, we call the people who make clothing 'couturiers' - they develop new clothing items - but actually, the work of designing is to make something that works in real life.
Some people demand a five-line capsule summary. Something you'd read in a magazine. They want you to say, 'This is the story of the duality of man and the duplicity of governments.' I hear people try to do it -- give the five-line summary -- but if a film has any substance or subtlety, whatever you say is never complete, it's usually wrong, and it's necessarily simplistic: truth is too multifaceted to be contained in a five-line summary. If the work is good, what you say about it is usually irrelevant.
The only requirement of a symbol is that it have substance underneath: The first thing to do is to try to establish the substance. The style comes after the substance. Only then can the style help the substance, and vice versa.
Before he did all those lovely line drawings, Matisse would make really detailed charcoal drawings and tear them up. He wouldn't leave them about... I understand what he was doing: discovering what's there... to make the line meaningful, to find a linear solution.
I want the women I work with to find the entry point to where their healing is.
When I rest, I rest and when I work, I work hard and sometimes for long hours. I always try to be rested when I work.
For those people who don't know what Whiteboy clothing is, it is not a white-supremacy thing. It is a great clothing line that just says, 'Have fun.
For those people who don't know what Whiteboy clothing is, it is not a white-supremacy thing. It is a great clothing line that just says, 'Have fun.'
Indeed, the real question is not, "Why greatness?" but "What work makes you feel compelled to try to create greatness?" if you have to ask the question, "Why should we try to make it great? Isn't success enough?" then you're probably int he wrong line of work.
I think a lot of officers go into that line of work because they have a calling for it. But at some point, they find themselves in the middle of their lives having seen some of the darkest things that are just unimaginable to the rest of us.
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