A Quote by Sheri Holman

Horror hostess, bondage goddess, Charles Addams cartoon comes to life, Vampire was every first-generation fanboy's wet dream. Scott Poole takes us on an unforgettable ride through the overlapping underworlds of B&D magazines, Hollywood noir, and early political liberation movements that inspired actress Maila Nurmi to challenge a postwar culture bent on stifling women's choices, bodies, and desires. This book is a subversive masterpiece.
I grew up on Charles Addams' cartoons, particularly 'The Addams Family,' and Uncle Fester was always one of my favorites.
The preoccupations of young women-their looks, their clothes, their social life-don't seem to change much from generation to generation. But in every generation there are a few that make others choices.
The image of the Goddess inspires women to see ourselves as divine, our bodies as sacred, the changing phases of our lives as holy, our aggression as healthy, our anger as purifying, and our power to nurture and create, but also to limit and destroy when necessary, as the very force that sustains all life. Through the Goddess we can discover our strength, enlighten our minds, own our bodies, and celebrate our emotions. We can move beyond narrow, constricting roles and become whole.
Dream masters create a masterpiece of life; they control the dream by making choices.
The West sees liberation movements as terrorist movements, and that is why I am accused of supporting terrorism: because I support liberation movements.
When you see something special, something inspired, you realise the debt we owe great curators and their unforgettable shows - literally unforgettable because you remember every picture, every wall and every juxtaposition.
According to the classic liberal-arts ideal, learning promises liberation, but it is not liberation from demanding moral ideals and social norms, or liberation to act on our desires-it is, rather, liberation from slavery to those desires, from slavery to self.
Political movements for justice are part of the fuller development of the cosmos, and nature is the matrix in which humans come to their self-awareness of their power to transform. Liberation movements are a fuller development of the cosmos's sense of harmony, balance, justice, and celebration. This is why true spiritual liberation demands rituals of cosmic celebrating and healing, which will in turn culminate in personal transformation and liberation.
Heterosexuality is a die-hard custom through which male-supremacist institutions insure their own perpetuity and control over us. Women are kept, maintained and contained through terror, violence, and the spray of semen...[Lesbianism is] an ideological, political and philosophical means of liberation of all women from heterosexual tyranny.
Fame is fun, money is useful, celebrity can be exciting, but finally life is about optimal well-being and how we achieve that in dominator culture, in a greedy culture, in a culture that uses so much of the world’s resources. How do men and women, boys and girls, live lives of compassion, justice and love? And I think that’s the visionary challenge for feminism and all other progressive movements for social change.
To face a man in combat is challenge enough. To find the goddess in a woman is the life work of a man. Hard though the first may be, the second is the harder longer road. But every man seeks the woman of the dream, and only the best of men finds what he seeks.
Lonesome Dove is a great book that had the rare fortune of being made into a great movie. And now, through Bill Wittliff's photographs, we have a third generation of Lonesome Dove artistry. The same creative power and conviction that allowed Larry McMurtry to transform a workaday scenario for an unproduced screenplay into one of the greatest novels of our time, and that transformed that novel into the greatest western movie ever made, are on display in this collection. A Book of Photographs from Lonesome Dove is a masterpiece begot by a masterpiece begot by a masterpiece.
The political cartoon, in a way, is one of the highest forms of expression about our times. I don't believe in dramatic statements when it comes to political critique. It doesn't communicate in a way that's subversive enough.
Ideally there should not be a men's movement but a gender transition movement; only the power of the women's movement necessitates the temporary corrective of a men's movement. And this creates a special challenge for men: There are few political movements filled with healthy people, yet few healthy changes have occurred without political movements.
The success [of the X-Men], I think, is for two reasons. The first is that, creatively, the book was close to perfect ... but the other reason is that it was a book about being different in a culture where, for the first time in the West, being different wasn't just accepted, but was also fashionable. I don't think it's a coincidence that gay rights, black rights, the empowerment of women and political correctness all happened over those twenty years and a book about outsiders trying to be accepted was almost the poster-boy for this era in American culture.
Buddha says this is how one should be - no desire, because all desires are futile. They are about the future; life is in the present. All desires distract you from the present, all desires distract you from life, all desires are destructive of life, all desires are postponements of life. Life is now and the desire takes you away, farther and farther away from now. And when we see that our life is misery we go on throwing the responsibility on others, and nobody is responsible except us.
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