A Quote by Sheridan Smith

When I was 16, I played Tallulah in 'Bugsy Malone' at the Queen's Theatre. Me and five others shared a flat together in Blackheath. It was brilliant being 16 and living in London with my mates.
At 16, I got housing benefit, and I had my own flat in an old woman's house. I was the only 16-year-old I knew living alone.
England Under 16, Under 17, Under 18, I played centre-half. But back then, David Moyes thought it was difficult to throw a 16-year-old in there. There was a big hype around me. He wanted me to fulfil my potential; he wanted to get me in as early as possible.
I hope it's always going to be a mix between theatre, film and radio. I've been very lucky living in London that you can do all that - in New York and L.A., there's more of a structure for film in L.A. and theatre in New York. In London, our industry is smaller, but it produces brilliant work all in one place.
Although I'm not from London originally: I moved down here when I was 16, so it's played a part in my life. It's where I've lived for all that time.
I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16 I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16, I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
I started doing amateur theatre and played Rosa Parks at the age of 12 or 13. At 16, I decided it was what I wanted to do.
One of my favorite movies of all time is 'Bugsy Malone.'
Turning 16 is kind of scary because when you're 16, you go from being a kid and then you can drive and are more of a young adult in a way.
Sometimes in my mind I still think I'm 16 onstage and my body tells me that I'm not 16 anymore.
Through a shared aim, shared needs, shared love of a shared result in theatre, from the creation of space... the coming-together of an endlessly repeated climax of shared performance, again and again, something special can appear.
I was the star of one of the school plays when I was in Year 10. It was 'Bugsy Malone.' There is probably footage of it somewhere.
Pace judgement is everything in the hour record. If you can ride 16.1 or 16.2-second laps constantly for 221 laps, and not go 15.9s or 16.4s, it's keeping it on the line every lap, lap after lap.
Because we were orbiting the earth faster than earth spins on its axis, we went around the earth 16 times a day, an earth day, which meant 16 periods of lightness and 16 periods of darkness in 24 hours. Every so often you'd look towards the earth, and often you could see lightness and darkness together, and dawn and sunset were spectacular.
When I was 15, 16, 17 years old, I spent five hours a day juggling, and I probably spent six hours a day seriously listening to music. And if I were 16 now, I would put that time into playing video games.
From 16 to 21 when I was self sufficient and working in factories. I packed batteries, boxes, and make-up with heroin addicts. I have to thank my mum for kicking me out at 16 and making me stand on my own two feet.
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