A Quote by Sheridan Smith

I'm just some commoner trying to work in acting. — © Sheridan Smith
I'm just some commoner trying to work in acting.
Chicago theater vs. New York theater. There's just nothing to say about it really. If you've seen Chicago theater, you know that the work is true to what is there on the page. It's not trying to present itself with some sort of flashy, concept-based thing. It's about the work, and it's about the acting you're about to watch. So acting-based theater feels like it was born there to me.
I began acting at age eight, but if you don't stay on your game then people pass on you. Being on a show, it's a little easy to get comfortable, so I'm trying to get back on it. I'm taking some acting classes and watching movies, and I'm just trying to stay up with other actors.
I always try to think about what I can do to let people know that I'm just like everyone else. I have two girls here at home I'm trying to raise. I'm trying to be a good stepmom. I'm trying to stay fit and be a good model and break ground in the acting world. I'm working that same struggle every other woman is trying to work.
Acting wasn't some long-held dream, and it still isn't, really. I'm just trying to make some money and pay the bills.
The Marine Corps is some of the best acting training you could have. Having that responsibility for people's lives, suddenly time becomes a really valuable commodity and you want to make the most of it. And for acting, you just have to do the work, just keep doing it.
Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, "I will be a comedic actor." I just thought, "I'll go into acting and see what kind of work I can get."
Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, 'I will be a comedic actor.' I just thought, 'I'll go into acting and see what kind of work I can get.'
As an actor, it made me realize a really important lesson. I didn't have to put any spin on the ball as Rita [in Dexter]. All I had to do was speak. And there was such simplicity in that as an actor. With Debra, I was trying to put a square peg into a round hole, and it just didn't work, but in my mind, because I had to work so hard on it, I was, like, "Oh, this is acting!" But that's not acting.
I am human. I am messy. I'm not trying to be an example. I am not trying to be perfect. I am not trying to say I have all the answers. I am not trying to say I'm right. I am just trying - trying to support what I believe in, trying to do some good in this world, trying to make some noise with my writing while also being myself.
The acting challenge is every day it was just for me a challenge obviously because of the volume that I - of work I had to do throughout the series. Every day was just trying to keep it fresh, trying to keep it maintain a consistency and a growth in the character and in myself. That was the main focus was staying focused when you're fatigued after, you know, it's mainly to work but it's ultimately very rewarding working with this production and the actors and the crew. The crew gave a lot for this thing.
The funny thing about acting is, there's no 'right' way to make it. Some people need to work their butts off, and some don't. They're just naturals. I wasn't a natural. I sucked.
Mamata Banerjee is just a casual worker, just like a commoner.
A virtue to be serviceable must, like gold, be alloyed with some commoner, but more durable alloy.
When I first started [taking acting classes] I sort of stuck my toes in but I was so nervous I didn't know if I could go all the way. I was so scared about it for some reason. The more confident I got with it, the more I just fell in love with it. I love going to work every day and trying to make the most of the stuff I've been given.
I love acting. When I'm acting I feel like I'm on vacation. I'm just having a wonderful time. The nightmare is just getting the work to happen.
When real actors are approaching their work, we could be on a little stage somewhere, doing community theater. It's all the same. They're just trying to make the scene work. They're just trying to do the best they can and figure it out.
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