A Quote by Sherilyn Fenn

Being a mother for me was like, "Oh, this is what I've been looking for my whole life." This brings me a sense of completion. I never knew I would love this deeply. — © Sherilyn Fenn
Being a mother for me was like, "Oh, this is what I've been looking for my whole life." This brings me a sense of completion. I never knew I would love this deeply.
Being a mother for me was like, 'Oh, this is what I've been looking for my whole life.' This brings me a sense of completion. I never knew I would love this deeply. It's so nice not to worry about myself anymore. I only worry about my children.
I'm a big proponent of open adoption, because it allows a relationship between the birth mother and her child so that the kid isn't like, "Where did I come from?" And to have it be like, "Look, you have a bunch of people who love you." Not just the parents who are raising you on a day-to-day basis, but also to have contact with your birth mother and hopefully your birth father. So that you can be like, "Oh, they love me too, and they love me so much that they knew they couldn't take care of me but they're still in my life to some extent."
...fact was she knew more about them than she knew about herself, having never had the map to discover what she was like. Could she sing? (Was it nice to hear when she did?) Was she pretty? Was she a good friend? Could she have been a loving mother? A faithful wife? Have I got a sister and does she favor me? If my mother knew me would she like me? (140)
My mother was the most wicked mother ever seen in life when it came to beating. Oh-la-la! Every time I would say, 'This is the end of me.' Oh, how she would beat me.
I remember being a 12 year old art kid and feeling like there was no exciting art movement happening, especially for somebody like me. I was looking around for artistic inspiration and could find nothing — until my older brother’s friend brought a Giger book over to the house. Upon seeing the first image I knew I would never be the same. A whole new world opened up to me and I have been exploring it ever since. It’s no doubt that I would not be here today, doing what I do, without his influence. H.R. Giger is the king of the Dark Art movement.
One of the greatest things that ever taught me a super lesson was when I seen a baby come out of my woman's womb. Seeing this war that could end with both lives being lost, or both lives being made, gave me an enlightenment of life itself. It sparked my whole mind to a whole other level of living. And if I never would have seen it, I never would have understood life. I never would have appreciated life.
I knew he would never leave me, never let me down-because the man had never abandoned anything in his long life. If I hadn’t taken the gold rope of our bond, I knew Adam would have sat on me and hog-tied me with it. I liked that. A lot.
I've never fought with anyone. A lot of people talk to me, and they're like, 'Oh, you would have been fighting all the time when you were younger,' but I'm like, 'I never fought with anyone because I always knew that if I hurt myself, I might lose important time in my cricket career,' so I never got into any fight, ever in my life.
I had learned that there were substitutes for a mother who couldn't be a mother. You could find love with other people. You could find it in places you weren't even looking. But the original wound would never heal. I would carry it with me forever, and so would Tara. That was the trick . . . accepting it, going on with your life, knowing it was part of you.
I don't think I would have been a good mother. Being a parent brings immense responsibility. It's a Herculean task. It would be almost too much for me.
If I were hanged on the highest hill, Mother o’ mine, O mother o’ mine! I know whose love would follow me still, Mother o’ mine, O mother o’ mine! If I were drowned in the deepest sea, Mother o’ mine, O mother o’ mine! I know whose tears would come down to me, Mother o’ mine, O mother o’ mine! If I were damned of body and soul, I know whose prayers would make me whole, Mother o’ mine, O mother o’ mine!
It's me, and I love me. I learned to love me. I've been like this my whole life, and I embrace me. I love how I look. I love that I'm a full woman and I'm strong and I'm powerful and I'm beautiful at the same time. There's nothing wrong with that.
I think that New York liberated me in the sense that I moved here when I was 18, so it was a fresh perspective on life. I had been living in L.A. my whole life and I had never lived anywhere else, so being away from family and really making a name for myself was huge for me.
I promised Todd [Willingham] that I would attend the execution. ... It was impossible for me to go. I was incapable of that sort of travel. Sitting in a chair that long, driving to Huntsville just wouldn't have happened. ... I'm sure I would have been there. It's something I know. I would not have denied him that, but the accident kept me from being there. At some level, the universe was giving me the excuse for not being there. ... The universe was like, "Oh, you don't have to watch this." ... It would have been a horrible thing, but I'm sure I would have gone.
I was never really certain why he scared the bejesus out of me. Nothing scared me growing up. I’ve been playing with dead people since the day I was born, so it’s good thing, yet the Big Bad scared me. Which brings me to the reason I called.” “Which was to give me nightmares for the rest of my life?” “Oh, no, that’s just a plus. Why was I so scared of him?” “Hon, for one thing he was this powerful, massive, black smokelike being.” “So, you’re saying I’m a racist?
Before I was cast for 'Brothers,' we all knew that Karan Johar was looking for an actress for to play a mother's role. I never thought that he would think of casting me.
This site uses cookies to ensure you get the best experience. More info...
Got it!