A Quote by Sherilyn Fenn
They've offered me every variation on Audrey Horne, none of which were as good or as much fun.
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I was offered 'Popeye,' which Robert Altman made. They offered me $2 million to direct that, which was good money. I wasn't interested in it. I don't like that kind of movie.
From the ages of 12 to 35 my body, not my mind, was my primary currency. My ideas, my humor, my curiosity - none of those were valued as much as my body, which preceded me into almost every room.
Some people tend to think of Audrey as a film-star first and a humanitarian second. But to Audrey herself, and to those who knew her well, the two roles were intertwined and inseparable.
When we were making it [Star Wars], none of the effects were in. So the first time, I thought it was, you know, that - I mean, we were surrounded by English crew members that could hardly keep themselves together. They were, "Here comes the guy in the dog suit." They made fun of us, which was OK. But the first time I was sitting in a theater, and I saw all the effects in, and the big ship flew over the audience, and the sound rumbled, I pretty much thought we were close to home.
When none but the wealthy had watches, they were almost all very good ones; few are now made which are worth much, but everybody has one in his pocket.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols, also.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols also.
I just told my agent to forget all other projects for me. I was waiting for Audrey Hepburn. She asked for me, and I was ready. This could be the last and only opportunity I’d have to work with the great and lovely Audrey Hepburn and I was not missing it. Period.
Harriet van Horne He makes love to me expertly, mechanically, coldly... He's pressing all my buttons, as if I were a pocket calculator.
A sensation, hidden in the depths of my emotional memory, was suddenly revived: what if... What if for me The Variation is not dead? If The Variation is alive?!
That there is much suffering in the world no one disputes. Which is more likely, that pain and evil are the result of an all-powerful and good God, or the product of uncaring natural forces? The presence of much suffering agrees well with the view that all organic beings have been developed through variation and natural selection.
When I grew up, you wanted to look like Marlene Dietrich, Betty Grable. Fortunately, I didn't know that I really wanted to look like Lena Horne. When I grew up... black stars were stigmatized. Nobody wanted to look like Lena Horne.
Well, I think it's era that in which people had a lot of fun. In fact too much fun and would not concern themselves with the negative effects of the accesses that they were involved in.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for in a way. They wanted it to be something special. Also, none of us were really known then as well.
I didn't audition for the part! The role was offered to me, and I was so excited to be a part of 'The Haunting Hour.' It is such a cool show and it was so much fun shooting the 'Intruders.'
I don't have a talent, unless you count hunting illegally, which they don't. Or maybe singing, which I wouldn't do for the Capitol in a million years. My mother tried to interest me in a variety of suitable alternatives from a list Effie Trinket sent her. Cooking, flower arranging, playing the flute. None of them took, although Prim had a knack for all three. Finally Cinna stepped in and offered to help me develop my passion for designing clothes, which really required development since it was non-existent.
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