A Quote by Sherilyn Fenn

The studios have their list of five actresses and whether they're right or wrong for a role doesn't matter. It's how much money their last movie made. — © Sherilyn Fenn
The studios have their list of five actresses and whether they're right or wrong for a role doesn't matter. It's how much money their last movie made.
I’ve learned many things from him [George Soros], but perhaps the most significant is that it’s not whether you’re right or wrong that’s important, but how much money you make when you’re right and how much you lose when you’re wrong.
It's not whether you're right or wrong that's important, but how much money you make when you're right and how much you lose when you're wrong
I remember in 1980 or 1981 looking at a list of people who had made a lot of money in the computer industry and thinking, Wow, that's amazing. But I never thought I'd be on that list. It's clear I was wrong. I'm on the list, at least temporarily.
Unless a Western's made money - doesn't matter who made the money, doesn't matter what the subject is - if the last one didn't make any money, you can't make another one for a four-year period. Westerns more than any genre.
No movie has ever got enough time. It doesn't matter how much money you've got, and it doesn't matter how much money you've not got. You never finish on time. You're always up against it and you're always working up until the end.
It's a clique and I think a clique exists in every business. There's a circle of people that are guaranteed to open a movie and we all know their names and whether they're right or wrong for the role.
If something is right (or wrong) for us, it’s right (or wrong) for others. It follows that if it’s wrong for Cuba, Nicaragua, Haiti, and a long list of others to bomb Washington and New York, then it’s wrong for Rumsfeld to bomb Afghanistan (on much flimsier pretexts), and he should be brought before war crimes trials.
The mistake that the Bush administration should admit to is not so much that they made the wrong choices. They made the right analysis; they made the right choices. But what they did wrong was the execution of those choices. That was wrong.
I essay a negative or a positive character depending on whether it's a principle role and how much it drives the movie.
It's about enjoying your life. If you have no family, no friends to enjoy it with, it don't matter how much you have, how much success you have, how much fame you have, how much money you have, it doesn't matter.
You know, I think I still have a sense that no matter what you do, no matter what you achieve, no matter how much success you have, no matter how much money you have, relationships are important.
What does it matter whether I am shown to be right! I am right too much!--And he who laughs best today will also laugh last.
I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.
I made a series of wrong decisions about moderately recent books, and I've sold the rights to studios for ridiculous amounts of money and the films have never been made. That's the saddest thing of all, because they're locked up and no-one else can make them.
I made a series of wrong decisions about moderately recent books, and I've sold the rights to studios for ridiculous amounts of money and the films have never been made. That's the saddest thing of all, because they're locked up and no one else can make them.
A lot of people, most people who are working, they do it for money. And I'm not saying there's anything wrong with that. It so happens that I made a lot of money already, so I don't have to worry that much about it. I wouldn't fault anybody for doing it for the money, but it doesn't interest me right now.
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