A Quote by Sherman Alexie
A lot of native culture has been destroyed. So you already feel lost inside your culture. And then you add up feeling lost and insignificant inside the larger culture. So you end up feeling lost squared. And to never be recognized, to never have any power, you know, other minority communities actually have a lot of economic, cultural power.
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You cannot build a cultural identity without the images and sounds of your culture. Most countries in the third world - poor countries - they've lost their memories. Because everyday, films and cultural artifacts disappear. Film is also a memory - of the character and imagination of a culture.
I did have a feeling then that the culture of factuality was so dominating that storytelling had lost all its authority.
We should never denigrate any other culture but rather help people to understand the relationship between their own culture and the dominant culture. When you understand another culture or language, it does not mean that you have to lose your own culture.
Flamenco is connected with so many types of music. It has Jewish culture inside, Arabian culture inside, Russian culture inside, Spanish culture inside. It's linked to African music too, because African music has the 'amalgama' rhythms you can find in flamenco. You can find everything in flamenco. That's why it's so beautiful.
I felt like I was cheated out of my career in the UFC. In my mind and in my heart, I never lost to a foe. I never lost to an opponent. I lost to diverticulitis. That was my opponent that beat me. A lot of other people might have other thoughts about that.
Money lost, something lost. Honor lost, much lost. Courage lost, everything lost-better you were never born
If New Vegas foretells something about America's future, then the culture wars are all but over, and culture lost.
Focus attention on the feeling inside you. Know that it is the pain-body. Accept that it is there. Don't think about it - don't let the feeling turn into thinking. Don't judge or analyze. Don't make an identity for yourself out of it. Stay present, and continue to be the observer of what is happening inside you. Become aware not only of the emotional pain but also of "the one who observes," the silent watcher. This is the power of the Now, the power of your own conscious presence. Then see what happens.
Definitely the Korean culture is very strong to me, and I grew up in Hawaii where Asian-Americans are the dominant culture, but I never thought of myself as the minority.
My interest in culture generally is a comparative one, and I think that's where the word joy, I think, can be applicable. There's joy in actually seeing the relatedness, the connectedness of different cultures or recognising, for instance, your own culture in another or another culture in your own culture and feeling an air to all of them.
Live theatre for children is right up there in importance with reading aloud. It used to be part of our heritage many years ago and we've lost it and we've lost everything to screens in this culture and we need to bring it back.
I loved. I lost. So I learned to love what is never lost. Then even what I loved that can be lost was through what cannot be lost...so it was never lost.
People sometimes say that you must believe in feelings deep inside, otherwise you'd never be confident of things like 'My wife loves me'. But this is a bad argument. There can be plenty of evidence that somebody loves you. All through the day when you are with somebody who loves you, you see and hear lots of little tidbits of evidence, and they all add up. It isn't purely inside feeling, like the feeling that priests call revelation. There are outside things to back up the inside feeling: looks in the eye, tender notes in the voice, little favors and kindnesses; this is all real evidence.
You'd never know it from reading the rest of the Native writers, but Indians actually grew up with American pop culture.
As the end of the century approaches, all our culture is like the culture of flies at the beginning of winter. Having lost their agility, dreamy and demented, they turn slowly about the window in the first icy mists of morning. They give themselves a last wash and brush-up, their oscillated eyes roll, and they fall down the curtains.
As a young artist in New York, I thought about postwar Japan - the consumer culture and the loose, deboned feeling prevalent in the character and animation culture. Mixing all those up in order to portray Japanese culture and society was my work.
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