I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don't write to protect them. It's far too late for that. I write to give them weapons-in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
Sometimes you have a clash of heads and it feels a bit sore, but I remember the impact was huge. I was touching my head and it felt like it was pouring with blood, but I remember looking and there was nothing on my hand. For me that was a sign it was probably quite serious.
I write because it is while I'm writing that I feel most connected to why we're here. I write because silence is a heavy weight to carry. I write to remember. I write to heal. I write to let the air in. I write as a practice of listening.
We're inseparable, games and I. If you cut me, I'd bleed pixels. Or blood. Probably blood, come to think of it.
Around us I can sniff out a savagery in the noisy southern air. It knifes it's way into my nose, but I do not bleed blood. It's fear I bleed, and it gushes out over my lip. I wipe it away, in a hurry.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
What happens is that the system builds many inferior blood vessels in the eye to take the place of the vessels that are dying. And those blood vessels are not up to the task. And they bleed. They hemorrhage and they cover the eye inside with blood.
I remember reading these articles when I was younger, and I just felt like, well, in order to look like that, you have to have some secret, magical unicorn blood that makes carbs disappear as they go into your body. I prefer the truth.
I bleed and breathe Hawks. Even when I played for other teams I felt funny, because I was a Hawk.
I remember that when I got to NYU, everyone was writing scripts. But I was 18 at the time, and when you write a script, so much of it is about what you pull from life, and this sounds sort of cheesy, but I felt like I didn't have enough life experience at that point to write a movie.
The most important value I've taught my children is respect for every creed, colour or race. When we bleed, we bleed the same blood. I've always taught my kids never to look down on anyone or to not have anyone look down on them.
No matter our background, or income, or geography, we are all citizens of America. And no matter our color, or the blood, the color of the blood we bleed, it's the same red blood of great, great patriots.
I cry whenever I watch an emotional scene that I did, just because it brings me back to that moment. It's like, I remember being there; I remember feeling what I felt. It's really weird, right?
I remember getting into the plane, and I was kind of fearful. I didn't know why. I just felt like something was going to happen, and we landed and I thought that was interesting because I was just thinking we were going to crash. I just remember my feet touching the ground, and that's all I remember.
I can't remember any of the films I've done. You go from one to another, and they all blend in to a big mass. You remember the costumes because you remember how you felt - that Western I did with Kevin Costner where I wore the big hat and the two guns, I remember that.
Critics have said I write without spontaneity, in cold blood. I don't. I write in hot blood.